FEATURED POSTS

10 Questions with Shane Briant

The talented British' born actor Shane Briant made his screen debut in the Hammer horror film Demons of the Mind. Since then he's gone on to appear in over 60 films and television productions including Straight On Till Morning (1972), The Picture of Dorian Gray (1973), The Mackintosh Man (1973), Captain Kronos: Vampire Hunter (1974), Frankenstein and the Monster from Hell (1974), The Naked Civil Servant (1975) and Lady Chatterley's Lover (1981). Currently Briant is focusing his attention on writing fiction and he has recently completed a psychological thriller called Worst Nightmares that will be released May 12th. I've admired his film work for many years so I was thrilled to get the opportunity to ask Shane Briant a few questions about his early movies and current writing projects. READ MORE

THIS MONTH'S FEATURED POSTS

The Girl On a Motorcycle (1968)

The talented director and cinematographer Jack Cardiff has passed away at the age of 94. As the tributes start to roll out from various news sites and film blogs its become clear to me that most people regard Jack Cardiff as a great cinematographer and have little regard or knowledge of his directing contributions, which is a shame. Cardiff was a brilliant photographer and his groundbreaking contributions to cinematography are well worth celebrating. But his impressive work as a director on films like the wonderful D.H. Lawrence adaptation Sons and Lovers (1960), the entertaining spy thriller The Liquidator (1965), the excellent erotic drama The Girl on a Motorcycle (1968) and the effective horror film The Mutations (1974) is also worthy of applause. READ MORE

THIS MONTH'S FEATURED POSTS

Favorite DVD Releases of 2008

I hate to be the bearer of bad news, but overall 2008 was somewhat of a lackluster year for new Region 1 DVD releases of '60s and '70s era films when compared to the previous two years (See: 2006 and 2007). Some of my favorite DVD companies such as BCI Eclipse and most recently New Yorker Films have folded. Boutique DVD companies are releasing fewer products and what is being released is often of questionable quality. With the failing economy and the rise in popularity of Blu-ray discs, it seems like the number of new worthwhile DVD releases might continue to drop dramatically in 2009. READ MORE

THIS MONTH'S FEATURED POSTS

Resurrecting Yusaku Matsuda

Toru Murakawa's Resurrection of the Golden Wolf (aka Yomigaeru kinrô; 1979) is a wildly uneven Japanese crime film that left me wishing it had been helmed by another director. The film's script was adapted from a popular novel by Haruhiko Ooyabu and directors like Seijun Suzuki have had great success turning Ooyabu's hard-boiled fiction into films, but Toru Murakawa doesn't have Suzuki's eye for detail or his pop art sensibility. Resurrection of the Golden Wolf runs much too long and the dramatic filler weighs down the action, but even with its flaws the movie still keeps your attention thanks to the star performance of Yusaku Matsuda. READ MORE

THIS MONTH'S FEATURED POSTS

We Are Controlling Transmission

This year analog broadcasting is coming to an end. On June 12th 2009 television stations in the United States will stop broadcasting in analog and switch permanently to digital. Digital broadcasting promises to provide viewers with a sharper picture and more diverse programming options, but this unavoidable change is forcing millions of people to buy new television sets or opt for getting a converter box that will often cost them $40 or more. I feel for these people because I didn't have complete cable TV Access or a digital television myself until 2007. READ MORE

The British are Coming to DVD Feb. 13th!

by Kimberly Lindbergs | February 12, 2007

Categories | News, Rants & Raves, British Cinema, DVD of the Week, James Fox, Donald Cammell, Nicolas Roeg

My DVD pick of the week is the ground breaking British film Performance (originally filmed in 1968 and finally released in 1970) and an honorable mention must go to The Loneliness of the Long Distance Runner (1962), which is another great British film finding it way onto DVD this week. Both movies are being released by Warner Home Video.

My 1985 VHS Tape . The New 2007 DVD
From the original text on my old Warner video:

Chas Devlin (James Fox) is a young man with a talent: in cold blood, he can scare you half to death. In British underworld terms, he’s a “performer” - a specialist in violent intimidation and a master of his craft, running errands of terror and doing the dirty work for a notorious racketeer.

Turner (Mick Jagger) is another kind of performer. A one-time rock-’n'-roll superstar, he has retired to a cavernous, crumbling house in a shabby London neighborhood. He lives with two beautiful women in dreamlike suspension, waiting for the universe to give him a sign. When Chas and Turner meet, their worlds collide - and the impact is both exotic and explosive.

Performance holds a very special place in my movie loving heart. Way back in 1985 when I was a rebellious young thing of 15 going on 16, Performance became the first movie I ever bought on video.

I grew up in a home with a black and white TV, and going to see a double feature at the local Drive-In on the weekends was a special event. When my family finally got a color TV in the late 1970s I was amazed by the thing, and when the video age arrived and we got a VCR in the mid-1980s, I was simply astonished. The ability to watch just about any movie at any time in the comfort of your own home totally blew my mind and frankly, it still does. In these current times of giant plasma TVs, DVDs and home computers where access to just about anything you can think of is only a mouse click away, 1985 seems like a lifetime ago.

Before buying the video version of Performance, I had already seen the film a few times in the early 1980s and owned the terrific soundtrack on vinyl. The movie would play as a midnight double feature in local theaters alongside other films starring pop stars and bands from the same era such as The Man Who Fell to Earth with David Bowie and The Who’s terrific musical Tommy. As much as I loved the the other movies mentioned, Performance really captivated my imagination and I fell in love with the film’s odd mix of gangster crime drama combined with rock musical. As a young teenage girl I was also deeply drawn to the ideas about sexual identity and androgyny that Performance explores. I wasn’t buying into the clear cut ideas about sex and identity that were being forced down my throat at school and society. Performance offered me other ideas which I eagerly absorbed. Around that same time I was also starting to experiment with drugs, so I’m sure the rather old-fashioned idea of psychedelics being used to “open my mind” probably fueled my interest in the movie as well. Last but certainly not least, I loved The Rolling Stones and like many girls and boys over the years I developed a mad crush on Mick’s Jagger’s androgynous character in the film.

Performance managed to become my favorite movie by the time I was 15 so when I found myself at a local video store in the mid ’80s and overheard the owner explaining to another customer how he could order any movie for them on video if it was available, I immediately asked him if he could get a movie called Performance for me. He pulled out some big catalogs and after about 10 minutes of looking through them he told me yes. It had just become available from Warner Home Video but it would cost me around $65. The amount was enormous at the time, but the idea of owning a movie that I loved which I could now watch over and over again seemed priceless to me so I had him order it on the spot. I spent the next few weeks eagerly awaiting its arrival while I scraped together all the extra money I could to pay for the video by doing odd jobs around the house and breaking open my piggy bank.

When I got the call that my Performance video had finally arrived I can remember begging my mom to drive me to the video store so I could pick it up and I walked to the counter with exactly $65 in my hand. The man hadn’t mentioned the word “tax” to me when I ordered the video so when the total came to about $68.03, I had to run outside and ask my mom to lend me $3 to cover the cost. She got a bit pissed and said something like, “I really hope this movie is worth all the fuss and money!”

Thankfully I grew up with very liberal parents so when I got back in the car and showed my mom the X Rated VHS tape that I had just spent weeks waiting for (Rated R for the 1985 Warner video release), she didn’t bat an eye. As a matter of fact she didn’t care at all what movie it was and I don’t believe she ever bothered to watch it herself since she was a Beatles fan who thought the Stones were a bit too “grungy”, but it seemed to make her happy that I was so thrilled about buying my first movie on video.

It’s some 22 years later and I still own that Warner video that I first purchased back in 1985. Warner must be congratulated for making a video tape that could stand up to numerous viewings over 22 years. I’ve watched Performance countless times and even watched it again last night. I now appreciate many things about the film that I didn’t really notice much back in 1985 such as Nicolas Roeg’s intimate photography and the brilliant acting of James Fox who I now “crush on” just as much as Mick Jagger. In some ways Performance has become more then just another one of my favorite movies. It’s become a film that I often compare all others too. It changed the way I see movies as well as the world around me, and it has shaped my love for cinema.

Part of me is really excited about the DVD release of Performance and I can’t wait to see it. I’m sure the movie will look 5x better then it does on my old video tape and I’m looking forward to seeing any additional footage which may have been restored, but I’m also feeling a little nostalgic about replacing my old video tape with a brand new DVD. I think I’ll be keeping both copies of the movie for reference as well as for the memories that the old Warner video conjures up in my movie-loving mind.

I hope to share a few more thoughts about Performance as the week progresses so don’t be surprised if this week Cinebeats becomes somewhat of an ongoing tribute to the first movie I ever bought for myself.