The talented British' born actor Shane Briant made his screen debut in the Hammer horror film Demons of the Mind. Since then he's gone on to appear in over 60 films and television productions including Straight On Till Morning (1972), The Picture of Dorian Gray (1973), The Mackintosh Man (1973), Captain Kronos: Vampire Hunter (1974), Frankenstein and the Monster from Hell (1974), The Naked Civil Servant (1975) and Lady Chatterley's Lover (1981). Currently Briant is focusing his attention on writing fiction and he has recently completed a psychological thriller called Worst Nightmares that will be released May 12th. I've admired his film work for many years so I was thrilled to get the opportunity to ask Shane Briant a few questions about his early movies and current writing projects. READ MORE
The talented director and cinematographer Jack Cardiff has passed away at the age of 94. As the tributes start to roll out from various news sites and film blogs its become clear to me that most people regard Jack Cardiff as a great cinematographer and have little regard or knowledge of his directing contributions, which is a shame. Cardiff was a brilliant photographer and his groundbreaking contributions to cinematography are well worth celebrating. But his impressive work as a director on films like the wonderful D.H. Lawrence adaptation Sons and Lovers (1960), the entertaining spy thriller The Liquidator (1965), the excellent erotic drama The Girl on a Motorcycle (1968) and the effective horror film The Mutations (1974) is also worthy of applause. READ MORE
I hate to be the bearer of bad news, but overall 2008 was somewhat of a lackluster year for new Region 1 DVD releases of '60s and '70s era films when compared to the previous two years (See: 2006 and 2007). Some of my favorite DVD companies such as BCI Eclipse and most recently New Yorker Films have folded. Boutique DVD companies are releasing fewer products and what is being released is often of questionable quality. With the failing economy and the rise in popularity of Blu-ray discs, it seems like the number of new worthwhile DVD releases might continue to drop dramatically in 2009. READ MORE
Toru Murakawa's Resurrection of the Golden Wolf (aka Yomigaeru kinrô; 1979) is a wildly uneven Japanese crime film that left me wishing it had been helmed by another director. The film's script was adapted from a popular novel by Haruhiko Ooyabu and directors like Seijun Suzuki have had great success turning Ooyabu's hard-boiled fiction into films, but Toru Murakawa doesn't have Suzuki's eye for detail or his pop art sensibility. Resurrection of the Golden Wolf runs much too long and the dramatic filler weighs down the action, but even with its flaws the movie still keeps your attention thanks to the star performance of Yusaku Matsuda. READ MORE
This year analog broadcasting is coming to an end. On June 12th 2009 television stations in the United States will stop broadcasting in analog and switch permanently to digital. Digital broadcasting promises to provide viewers with a sharper picture and more diverse programming options, but this unavoidable change is forcing millions of people to buy new television sets or opt for getting a converter box that will often cost them $40 or more. I feel for these people because I didn't have complete cable TV Access or a digital television myself until 2007. READ MORE

“He had a legend, the aura of genius, a friend to the mysterious and the strange. I arrived full of holy terror and mad hope all at the same time. I was struck immediately by one thing, only one: he’s a man of whom you only see the face. The fabulous mouth, worked by life, heavily wrinkled skin, the driven eyes, but in their black ring, a sparkling light. I was incapable of saying a word, I don’t even remember if it was a production office, an apartment, a hotel room. I looked at the deep earth of his face, the clear water of his regard. They told me ‘Speak loudly, we don’t know if he’s deaf or if he pretends to be . . .’ But how to speak? I repeated to myself ‘Come on. You have to speak.’ I thought that my silence and my insistence on staring would become intolerable. Someone else would surely have addressed me, would have started to speak, if only to reduce the tension a little. He was content to just look at me. Simply, directly, as if we had met there for a mutual exam and that words weren’t necessary. A guy walked in, perhaps an assistant, I can’t remember. Buñuel turned towards me. ‘This is Clémenti. Show him the script.’ If I understood properly, I had just been hired for Belle de Jour…With no other director did I have such a feeling of confidence.”
- Pierre Clémenti on Luis Buñuel and his role in Belle de Jour from his book Quelques Messages Personnels
My favorite character in Louis Buñuel’s Belle de Jour is Pierre Clémenti’s wonderful turn as the sexy thug Marcel. Pierre Clémenti was a beautiful and talented actor who appeared in many great films before his untimely death in 1999 including The Leopard (1963), Benjamin (1968), Les Idoles (1968), Partner (1968), The Conformist (1970), Sweet Movie (1974), La Cicatrice intérieure (1972) , Steppenwolf (1974), Quartet (1981) and Belle de Jour (1967).
I haven’t written anything substantial about Pierre Clémenti yet, so I thought I’d take the opportunity provided by Flickhead’s Buñuel Blog-a-thon to post a photographic tribute to Pierre Clémenti’s character Marcel in Belle de Jour, which was haphazardly put together from various screen shots I recently took from the film.
To view more screen shots from Luis Buñuel’s film please see my Flickr Belle De Jour Gallery.
Recommended Links and References:
- The Passion of Pierre Clémenti: European cinema’s christ-devil child
- Pierre Clémenti at Paris dans les années 70 (French language fan site)
- Pierre Clémenti - Acteur réalisateur (French language fan site)
My Buñuel Blog-a-thon Contributions:
- What’s in the Box?
- Ode to Marcel
- The Fine Art of Fashion: Yves Saint-Laurent
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Jonathan Lapper says; September 29, 2007 @ 1:18 pm
Great collection of screen grabs. They tell their own little story but the best is the black and white at the top: What a great shot!
Gautam says; September 29, 2007 @ 2:17 pm
Hey is it just me or is it that irish actor Cillian Murphy (28 Days Later, Sunshine) bears a striking resemblance to Pierre Clémenti as pictured above?
Joe D says; September 29, 2007 @ 2:23 pm
He is my favorite character as well. The metal teeth are incredible and he is like someone out of Sade. Taking whatever he wants sheerly for his own pleasure. Alo the way he looks, so young, so evil in an unorthodox way. He’s like Peter Pan with a pistol and a hard on.
Keith says; September 29, 2007 @ 3:40 pm
I thought Pierre as Marcel was awesome in the film. He has this young and wicked look going on. The metal teeth are cool. They add to the look of his character. He was brilliant in this film. I love the pics you posted.
cinebeats says; September 29, 2007 @ 3:52 pm
Thanks for the comments! I’m glad you all enjoyed my “ode to Marcel.”
Gautam - I actually like Cillian Murphy a lot, but he’s no Pierre Clémenti yet. One can only hope…
Joe - He’s like Peter Pan with a pistol and a hard on.
That has to be one of the best descriptions of Marcel that I’ve ever read! Thanks for adding this fantastic quote to my “Ode to Marcel.”
Keith - I often wondered if all the modern gangsters with their metal teeth owe some kind of dept to Marcel? Who was the first gangster with metal teeth? Why are metal teeth so popular with gangsters?
And last but not least, why do I find Marcel’s metal teeth so damn sexy? ;)
Yana K. says; October 28, 2008 @ 12:24 am
Thank you for posting the pictures :) He
was an amazingly good looking guy! I truly enjoyed the movie… To me he was like a wild-child… such a sweet angelic-looking guy with a demonic soul! He played his character really well. Although i cannot physically compare him to Cillian Murphy. They are just too different… like dark and light ;)