FEATURED POSTS

10 Questions with Shane Briant

The talented British' born actor Shane Briant made his screen debut in the Hammer horror film Demons of the Mind. Since then he's gone on to appear in over 60 films and television productions including Straight On Till Morning (1972), The Picture of Dorian Gray (1973), The Mackintosh Man (1973), Captain Kronos: Vampire Hunter (1974), Frankenstein and the Monster from Hell (1974), The Naked Civil Servant (1975) and Lady Chatterley's Lover (1981). Currently Briant is focusing his attention on writing fiction and he has recently completed a psychological thriller called Worst Nightmares that will be released May 12th. I've admired his film work for many years so I was thrilled to get the opportunity to ask Shane Briant a few questions about his early movies and current writing projects. READ MORE

THIS MONTH'S FEATURED POSTS

The Girl On a Motorcycle (1968)

The talented director and cinematographer Jack Cardiff has passed away at the age of 94. As the tributes start to roll out from various news sites and film blogs its become clear to me that most people regard Jack Cardiff as a great cinematographer and have little regard or knowledge of his directing contributions, which is a shame. Cardiff was a brilliant photographer and his groundbreaking contributions to cinematography are well worth celebrating. But his impressive work as a director on films like the wonderful D.H. Lawrence adaptation Sons and Lovers (1960), the entertaining spy thriller The Liquidator (1965), the excellent erotic drama The Girl on a Motorcycle (1968) and the effective horror film The Mutations (1974) is also worthy of applause. READ MORE

THIS MONTH'S FEATURED POSTS

Favorite DVD Releases of 2008

I hate to be the bearer of bad news, but overall 2008 was somewhat of a lackluster year for new Region 1 DVD releases of '60s and '70s era films when compared to the previous two years (See: 2006 and 2007). Some of my favorite DVD companies such as BCI Eclipse and most recently New Yorker Films have folded. Boutique DVD companies are releasing fewer products and what is being released is often of questionable quality. With the failing economy and the rise in popularity of Blu-ray discs, it seems like the number of new worthwhile DVD releases might continue to drop dramatically in 2009. READ MORE

THIS MONTH'S FEATURED POSTS

Resurrecting Yusaku Matsuda

Toru Murakawa's Resurrection of the Golden Wolf (aka Yomigaeru kinrô; 1979) is a wildly uneven Japanese crime film that left me wishing it had been helmed by another director. The film's script was adapted from a popular novel by Haruhiko Ooyabu and directors like Seijun Suzuki have had great success turning Ooyabu's hard-boiled fiction into films, but Toru Murakawa doesn't have Suzuki's eye for detail or his pop art sensibility. Resurrection of the Golden Wolf runs much too long and the dramatic filler weighs down the action, but even with its flaws the movie still keeps your attention thanks to the star performance of Yusaku Matsuda. READ MORE

THIS MONTH'S FEATURED POSTS

We Are Controlling Transmission

This year analog broadcasting is coming to an end. On June 12th 2009 television stations in the United States will stop broadcasting in analog and switch permanently to digital. Digital broadcasting promises to provide viewers with a sharper picture and more diverse programming options, but this unavoidable change is forcing millions of people to buy new television sets or opt for getting a converter box that will often cost them $40 or more. I feel for these people because I didn't have complete cable TV Access or a digital television myself until 2007. READ MORE

Stephen Weeks’ Ghost Story (1974)

by Kimberly Lindbergs | November 18, 2007

Categories | Movie Reviews, Horror, British Cinema, Marianne Faithfull

Marianne Faithfull in Ghost Story (1974)

Ghost Story (aka Madhouse Mansion) is an interesting low-budget independent horror film made in 1974 by the British director Stephen Weeks. The film tells the story of a small group of privileged young men in the 1930s that gather together for a weekend in the country at a sprawling British estate. As soon as they arrive, personality clashes, petty arguments and the gloomy environment start to wear on everyone’s nerves. To make matters worse, the estate’s owner (Murray Melvin) neglects to mention that the place might be haunted and when evening comes, one of the men (Larry Dann) begins having strange dreams and visions involving a creepy doll and the ghost of a beautiful young woman (Marianne Faithfull). As the story progresses the tenuous ties that bind the men together begin to unravel and the strange visions become more and more vivid, until they threaten to drive one of them mad.

The film suffers from its low-budget, Stephen Weeks’ lackluster direction and a distracting score by composer Ron Geesin, who some viewers might know from his work with Pink Floyd and Roger Waters. Weeks seems capable of creating an unsettling mood, but he has trouble sustaining it for any substantial period of time.

Even with the movie’s numerous problems, I still thought Ghost Story was an interesting supernatural film with a fascinating premise. It contains some truly eerie moments and dabbles in all sorts of interesting topics including incest, madness and the arcane arts, but unfortunately it never fully explores any of them.

Top: Larry Dann and Murray Melvin
Bottom: Vivian Mackerall and Leigh Lawson

My favorite thing about Ghost Story was Marianne Faithfull’s wonderful performance as a ghostly apparition. I adore Marianne Faithfull and she’s perfectly cast here as the tortured, yet lovely and effervescent Sophy. Marianne does a wonderful job of injecting the film with some much needed vitality and charm. The rest of the cast is good, but they often seem uncommitted to the material. The talented actress and Hammer regular Barbara Shelley also has a small role as the matron of a madhouse, but she’s never given enough screen time.

Marianne Faithfull had just overcome a rough patch in her personal life when she made Ghost Story. After her relationship with Mick Jagger ended, she lost custody of her son and became addicted to heroin. Thankfully she managed to pull herself together with the help of some friends and started acting again in television. Before making Ghost Story Marianne had appeared in numerous stage productions and had memorable roles in films such as Made in U.S.A. (1960), I’ll Never Forget What’s ‘is Name (1967) and The Girl on a Motorcycle (1968).

Director Stephen Weeks had only made a few films before making Ghost Story in 1974, including the entertaining Amicus production I, Monster (1971), which starred Christopher Lee and was based on Robert Louis Stevenson’s classic horror novel Dr. Jekyll & Mr. Hyde. The independently made Ghost Story has a much more adult script, but it lacks the raw energy found in I, Monster. Both of the director’s horror films are worth seeking out if you enjoy British thrillers with a gothic sensibility and period setting.

Unfortunately Ghost Story is only available on video at the moment and the print seems damaged and distorted. I, Monster is available on DVD from Image Entertainment, but the quality isn’t much better. Both films would really benefit from being restored and I’m sure I would enjoy them more if I was able to see them under better circumstances. Hopefully that will happen in the future.

Recommended Link:
- The Official Website of Marianne Faithfull