The talented British' born actor Shane Briant made his screen debut in the Hammer horror film Demons of the Mind. Since then he's gone on to appear in over 60 films and television productions including Straight On Till Morning (1972), The Picture of Dorian Gray (1973), The Mackintosh Man (1973), Captain Kronos: Vampire Hunter (1974), Frankenstein and the Monster from Hell (1974), The Naked Civil Servant (1975) and Lady Chatterley's Lover (1981). Currently Briant is focusing his attention on writing fiction and he has recently completed a psychological thriller called Worst Nightmares that will be released May 12th. I've admired his film work for many years so I was thrilled to get the opportunity to ask Shane Briant a few questions about his early movies and current writing projects. READ MORE
The talented director and cinematographer Jack Cardiff has passed away at the age of 94. As the tributes start to roll out from various news sites and film blogs its become clear to me that most people regard Jack Cardiff as a great cinematographer and have little regard or knowledge of his directing contributions, which is a shame. Cardiff was a brilliant photographer and his groundbreaking contributions to cinematography are well worth celebrating. But his impressive work as a director on films like the wonderful D.H. Lawrence adaptation Sons and Lovers (1960), the entertaining spy thriller The Liquidator (1965), the excellent erotic drama The Girl on a Motorcycle (1968) and the effective horror film The Mutations (1974) is also worthy of applause. READ MORE
I hate to be the bearer of bad news, but overall 2008 was somewhat of a lackluster year for new Region 1 DVD releases of '60s and '70s era films when compared to the previous two years (See: 2006 and 2007). Some of my favorite DVD companies such as BCI Eclipse and most recently New Yorker Films have folded. Boutique DVD companies are releasing fewer products and what is being released is often of questionable quality. With the failing economy and the rise in popularity of Blu-ray discs, it seems like the number of new worthwhile DVD releases might continue to drop dramatically in 2009. READ MORE
Toru Murakawa's Resurrection of the Golden Wolf (aka Yomigaeru kinrô; 1979) is a wildly uneven Japanese crime film that left me wishing it had been helmed by another director. The film's script was adapted from a popular novel by Haruhiko Ooyabu and directors like Seijun Suzuki have had great success turning Ooyabu's hard-boiled fiction into films, but Toru Murakawa doesn't have Suzuki's eye for detail or his pop art sensibility. Resurrection of the Golden Wolf runs much too long and the dramatic filler weighs down the action, but even with its flaws the movie still keeps your attention thanks to the star performance of Yusaku Matsuda. READ MORE
This year analog broadcasting is coming to an end. On June 12th 2009 television stations in the United States will stop broadcasting in analog and switch permanently to digital. Digital broadcasting promises to provide viewers with a sharper picture and more diverse programming options, but this unavoidable change is forcing millions of people to buy new television sets or opt for getting a converter box that will often cost them $40 or more. I feel for these people because I didn't have complete cable TV Access or a digital television myself until 2007. READ MORE

One of the best things about Jack Cardiff’s 1968 film The Girl on a Motorcycle is the terrific score created by the award winning British composer and songwriter Les Reed. Les Reed was one of the most prolific members of the mid-60s London music scene and he’s probably familiar to most people thanks to the success of popular songs he wrote and arranged for other artists. Reed often worked with other songwriters like Geoff Stephens and Barry Mason, and these creative partnerships yielded many hit songs. READ MORE

If you’re a Brigitte Bardot fan I highly recommend picking up the latest Cinedelic Book/CD compilation simply called BB Brigitte Bardot. It’s a wonderful collection of beautiful photos of the actress, reproductions of classic movie poster art and music from many of Bardot’s most popular films including En effeuillant la marguerite (aka Plucking the Daisy/Mademoiselle Striptease), Et Dieu… créa la femme (aka …And God Created Woman), Une parisienne (aka La Parisienn), En cas de malheur (aka Love Is My Profession/In Case of Adversity), La Vérité (aka The Truth) and Le Mépris (aka Contempt). The music CD also contains some of the best pop songs that Bardot recorded with French composer Serge Gainsbourg and a complete filmography for the actress who retired in 1973.
“BB is the perfect combination of different notes and chords that all together sound like one perfect melody. Her power of seduction was God’s gift, her posture and famous walk matched her fame, as well as her enigmatic appeal that went far beyond mere beauty: it was more like a sensual instinct able to mesmerize and capture. Brigitte encompassed the meaning of beauty, freedom, transgression and quirkiness, yet the look in her eyes revealed a childlike naiveté of sorts, perfectly embodying the disquieting and mischievous elements of the classic femme fatale. This book is a tribute to Divine BB’s astounding career and includes movie posters, rare on-set pictures, the complete filmography and a CD with original music.” - Cinedelic
Cinedelic has really done a terrific job of gathering together some rare and wonderful material for BB Brigitte Bardot. The 150 page book and accompanying CD is the perfect introduction to the career of this talented actress and songstress, but it will undoubtedly be appreciated by Bardot’s longtime fans too.
I’ve seen numerous track listings for the CD online but none of them appear to be complete. If you’re considering purchasing the set it’s helpful to know exactly what you’re getting so I thought I’d share my own track listing with more detailed information about the composers and film scores featured on Cinedelic’s BB Brigitte Bardot CD. Hopefully others will find it useful.
Track Listing for BB Brigitte Bardot:
1. Poppea - Angelo Francesco Lavagnino from Mio figlio Nerone (Stefano Vanzina; 1956)
2. Strip Tease - Paul Misraki from En effeuillant la marguerite (Marc Allégret; 1956)
3. Scene Sentimentale - Paul Misraki from En effeuillant la marguerite (Marc Allégret; 1956)
4. Et Dieu Crea La Femme - Paul Misraki from Et Dieu… créa la femme (Roger Vadim; 1956)
5. Du Moi Quelques Choses D’Amour - Paul Misraki from Et Dieu… créa la femme (Roger Vadim; 1956)
6. Paris BB - Henri Crolla/André Hodeir/Hubert Rostaing from Une parisienne (Michel Boisrond; 1957)
7. La Parisienne - Henri Crolla/André Hodeir/Hubert Rostaing from Une parisienne (Michel Boisrond; 1957)
8. Theme A - René Cloërec from En cas de malheur (Claude Autant-Lara; 1958)
9. Theme B - René Cloërec from En cas de malheur (Claude Autant-Lara; 1958)
10. Yo Tengo Una Muneca - Xavier-Mitchell Y Su Quinteto from La Vérité (Henri-Georges Clouzot; 1960)
11. Le Mepris/Generique - Georges Delerue from Le Mépris (Jean-Luc Godard; 1963)
12. Camille - Georges Delerue from Le Mépris (Jean-Luc Godard; 1963)
13. Contact - Brigitte Bardot (composed by Serge Gainsbourg in 1967/68)
14. Harley Davidson - Brigitte Bardot (composed by Serge Gainsbourg in 1967/68)
15. Bonnie and Clyde - Brigitte Bardot & Serge Gainsbourg (composed by Serge Gainsbourg in 1967/68)
16. Plaisir D’Amour - Brigitte Bardot (composed by Jean-Paul Martini/Jean-Pierre Claris de Florian/Hector Berlioz; 1780)
17. Sur Le Boulevad Du Rhum - Brigitte Bardot (composed by François de Roubaix/Robert Enrico/Pierre Pelegri for the film Boulevard du rhum dir. Robert Enrico; 1971)
18. Je T’Aime BB - Bebo Best & The Super Lounge Orchestra (tribute song w/Brigitte Bardot vocal samples; 2008)
You can currently purchase the BB Brigitte Bardot Book/CD set at Amazon for $29.98 and used copies can be bought there for about $20.
I like a lot of the songs that Serge Gainsbourg composed for Brigitte Bardot and one of my favorites is the psychedelic space-age pop song Contact, which is available on the new Cinedelic CD. Below is a fabulous music video for Contact with the divine BB that I couldn’t resist sharing. It’s taken from her 1968 French television special Spécial Bardot. In the clip Bardot’s wearing a fantastic dress designed by Paco Rabanne and she looks like she just stepped off the set of Barbarella.

In the meantime I wanted to let fans of the Oscar winning British composer John Barry (the James Bond films, Seance on a Wet Afternoon, The Knack …and How to Get It, The Ipcress File, Born Free, The Quiller Memorandum, Petulia, Walkabout, etc.) know that Harkit Records in the UK has just released his fascinating and experimental soundtrack from the film Boom! (1968) on CD for the first time. I’m also thrilled to have been involved with the project. Harkit Records contacted me and asked if they could publish part of my essay about the film as part of the CD liner notes and I happily agreed.
You can currently purchase John Barry’s Boom! soundtrack at Amazon or at online music shops like Movie Grooves in the UK. At the Movie Grooves site you can also listen to sample tracks from the score.
If you appreciate the impressive music John Barry recorded for films in the ’60s as much as I do you’ll definitely want to pick up a copy of his soundtrack for Boom! As I mentioned above, the score has never been made available on CD before and this is a great opportunity to hear some rare and wonderful music by one of Britain’s best composers.


Just a brief round-up of some news & info that I thought I’d share . . .
- Fashion and costume designer Yves Saint Laurent died today at the age of 71. In the world of film, costume designers rarely get the acclaim that they should but Yves Saint Laurent’s wonderful work appeared in some great movies throughout the years and he helped define women’s fashion in the sixties. To read more about Laurent’s impressive contribution to the art of cinema please see my brief tribute to Yves Saint Laurent’s work called The Fine Art of Fashion: Yves Saint Laurent.

On a lighter note . . .
- Film director Paul Schrader has a terrific website now where he has published a lot of his film writing and lately I’ve been enjoying going through the archives. Schrader’s early film writing was heavily influenced by the legendary critic Pauline Kael and I don’t agree with a lot of his youthful opinions but his writing is still fascinating to read and naturally improves over time. Some highlights you can find on his site include Yakuza-Eiga: A Primer, which he wrote for Film Comment in 1974 and his 2001 essay in Film Comment on his break from Pauline Kael called Pauline Kael 1919 – 2001: My Family Drama. It’s interesting to read about how the director broke away from Kael’s influence and started thinking more for himself, which is somewhat highlighted in one of the richest pieces available on his site titled The Film Canon from a 2006 issue of Film Comment. A direct link to Paul Schrader’s writing archives can be found here.
- Peppino De Luca’s terrific score for Dorian Gray (Il Dio Chaimato Dorian, 1970) has long been one of my favorite film soundtracks and it was recently released on CD for the first time by Italy’s Digitmovies. Previously some tacks from the film were only available on a a compilation CD called Barry 7’s Connectors Volume 2 but now fans of the film can finally enjoy De Luca’s soundtrack in its entirety.
Hopefully my next post will be a little longer!

I’m still working on compiling my list of my Favorite DVDs from 2007, which I plan on sharing here before the end of the month, but in the meantime I thought I’d put together a list of my Top 20 Favorite Soundtrack CDs of 2007. Not surprisingly, Italy’s Cinedelic Records, Japan’s Hotwax Trax, Sweden’s Fin de Siècle Media and Universal Music France all have multiple releases on my list. All of these labels have put out some fantastic music collections in recent years and I expect more great things from them in 2008. Now on with my Top 20 Favorite Soundtrack CDs of 2007 . . .

1. Naozumi Yamamoto - Branded to Kill (Koroshi no Rakuin)
The great Japanese composer Naozumi Yamamoto created many terrific jazz inspired scores for Seijun Suzuki’s films in the sixties and his work on Branded to Kill (1967) is some of his best. Various pieces of music from the Branded to Kill soundtrack have previously been available on a few compilations, but this great new CD from Think Records in Japan is the first time Yamamoto’s complete score for the film has been made available.
*You can listen to sound samples and purchase the CD from Movie Grooves
2. Hajime Kaburagi - Hotwax Trax Composer Series Hajime Kaburagi
Due to language barriers this fantastic collection of soundtrack compositions by one of Japan’s greatest composers is often being referred to only as the Nora-neko rokku: Sekkusu hanta (Stray Cat Rock: Sex Hunter) / Furyô shôjô Mako (Bad Girl Mako) Original Soundtrack and scores for both of those 1970/1971 films are featured on the CD, but this terrific collection of Hajime Kaburagi scores also contains compositions from many other great Japanese films that he scored including Bloody Territories (1969), Blackmail is My Life (1968), Velvet Hustler (1967) and Swirling Butterflies (1970). Hajime Kaburagi’s impressive soundtracks are influenced by a wide array of music including jazz, lounge and rock and I can’t recommend this wonderful collection enough.
* You can listen to sound samples and purchase the CD from Movie Grooves

3. Michel Magne - Soundtracks from the Films of Roger Vadim
I’ve loved the soundtrack from Barbarella (1968) since I first watched the film some 25 years ago, so I was thrilled to discover that the great French composer Michel Magne had written some music for Roger Vadim’s film that had never been published before and was finally released on CD from Universal Music France just last year. This terrific collection also contains music from some of Vadim’s other great films including La Ronde (1964) and Don Juan, or If Don Juan Were a Woman (1973). The CD comes with a nice booklet in French and English with background info on the release.
* You can purchase this collection at Amazon
4. Michel Legrand - Le Mans / The Hunter Original Soundtracks
The talented French composer Michel Legrand worked on some of Steve McQueen’s finest films, including the original Thomas Crown Affair (1968) and the excellent racing film Le Mans (1971). Le Mans features one of the composer’s best and most exciting scores, but the soundtrack hasn’t been available on CD for a long time. This new release from Universal Jazz France includes the complete soundtrack for Le Mans as well as the excellent score he composed for another Steve McQueen film, The Hunter (1980). The CD also contains a great booklet with background information about the composer’s work.
* You can purchase this collection at Amazon

5. Marc Wilkinson - Blood on Satan’s Claw Original Soundtrack
Blood on Satan’s Claw (1971) is one of my favorite British horror films and without a doubt one of Tigon Studio’s best releases. Most critics and horror fans tend to praise The Witchfinder General as Trigon’s best horror film, but I personally find Blood on Satan’s Claw more effective and chilling. The film also has a really terrific and extremely creepy score by composer Marc Wilkinson, which was made available on CD for first time last year from Trunk Records. Unfortunately this is a limited release so grab it while you can. It also contains some interesting liner notes.
* You can listen to sound samples, download individual song MP3s and purchase the soundtrack at Amazon
6. Ennio Morricone - Morricone Giallo
I love the scores that Ennio Morricone has composed for many gialli films and this wonderful collection of music from Bella Casa brings together some of the composers best and most unusual compositions from many of my favorite Italian thrillers including The Bird with the Crystal Plumage (1970), Forbidden Photos of a Lady Above Suspicion (1971), The Fifth Cord (1971) and Short Night of the Glass Dolls (1971), plus many more. This is not necessarily easy listening since much of the music included on the CD is rather experimental and unnerving, but it showcases Morricone’s great range and will make listeners immediately feel like they’ve just wandered into the set of a giallo production.
* You can purchase this collection at Amazon

8. Various Artists - A Musical and Visual Tribute to the Cinema of Pasolini
The fascinating and controversial director Pier Paolo Pasolini worked with some of Italy’s finest composers during his lifetime, including Ennio Morricone, Carlo Rustichelli and Benedetto Ghiglia. This excellent collection from Cinedelic Records brings together some hard to find music from many of the director’s best films including Teorema (1968), Medea (1969), and Salo (1975). It also comes with a beautiful book that contains rare photos of the director at work, poster art, a filmography and detailed notes.
* You can purchase this collection at Amazon

10. Bruno Maderna - La Morte Ha Fatto L’Uovo Original Soundtrack
One of the most unusual giallo films I’ve ever had the pleasure to see is Giulio Questi’s La Morte Ha Fatto L’Uovo (Death Laid an Egg, 1968) and the film contains an impressive avant-garde score by composer Bruno Maderna. An edited version of the soundtrack had previously been available on CD, but last year Fin de Siècle Media released a wonderful new and complete version of Maderna’s quirky score for the film with 10 previously unheard bonus tracks.
* You can purchase this collection at Amazon


14. Ennio Morricone - Morricone Awards
At the 79th Academy Award show last year Ennio Morricone was finally honored with a Lifetime Achievement Award celebrating his long career as one of cinema’s greatest composers. In honor of the event, Cinedelic Records released a wonderful CD and book collection simply called Morricone Awards. This superb selection of music is a terrific introduction to the composer’s work if you’re unfamiliar with it, but it also comes with an impressive 62 page book that contains a complete discography of Morricone’s work with lots of rare original record sleeve art, film poster reproductions and photos that will impress longtime Morricone fans as well.
* You can purchase this CD at Amazon

16. Jiri Sust & Jiri Slitr - Daisies Original Soundtrack
I’ve only seen a handful of films from the Czech New Wave, but Daises (Sedmikrasky, 1966) is one of my favorites. The film features an unusual and quirky score by Jiri Sust and Jiri Slitr, which was released on CD for the first time in 2007 by Finders Keepers Records. The original soundtrack for the film has never been made available before in any format, but the music was taken from the original reels. The CD also contains unseen archive images from the film, poster art reproductions and detailed liner notes.
* You can purchase this CD at Amazon

17. Various Artists - Attori A Mano Armata
If you’d like to read a little more about this great Cinedelic Records release, please check out the brief write-up I did for Cinedelica on Attori A Mano Armata: The main actors of the most Violent season of the Italian Cinema Collection in May 2007.
18. Various Artists - A Musical and Visual Tribute to the Cinema of Bernardo Bertolucci
Please see my previous post about this release.

I also recommend the other terrific Film Music Masterwork collections that were released in 2007 for Bernard Herrmann, Elmer Bernstein and Nino Rota.

Blame TCM for recently showing Lindsay Anderson’s brilliant This Sporting Life (1963), blame the wonderful Colin for sending me a copy of Richard Harris’s 1968 album A Tramp Shining
as an early Christmas gift and last but not least, blame The Simpsons for parodying one of my favorite musical numbers from Camelot
(1967) in a recent episode that I just watched. All these factors have somehow combined to put the incredible Richard Harris in the forefront of my thoughts lately.
I first became aware of Richard Harris when I was a very young thing. My parents had a copy of the Camelot film soundtrack and the original Broadway recording, and both of them got a lot of play in our home. I can distinctly remember my father loudly singing all of Richard Harris’ songs from the film while he was in the shower.
Don’t let it be forgot
That once there was a spot,
For one brief, shining moment
That was known as Camelot.
As the years wore on I became enamored with Richard Harris, as well as that rowdy bunch of womanizing British & Irish actors who drank too much and had egos as big as their booming voices. Along with Richard Harris, I can never get enough of Richard Burton, Oliver Reed, Albert Finney and Peter O’Toole. They’re all personal favorites and I’ll watch them in anything.
With that pronouncement out of the way, you may be asking yourself, besides Richard Harris, what do This Sporting Life, A Tramp Shining and Camelot all have in common? Well, they all feature Richard Harris singing of course!
I was surprised while watching This Sporting Life recently to see Richard Harris take the stage at a pub and belt out a rather lackluster song called Here In My Heart. I love the film and I had first seen it many years ago, but I didn’t remember Harris singing in the movie. It’s one of his earliest and best films and his performance in it made him a star, but his singing voice seems rather underdeveloped in 1963. Even though Here In My Heart is a rather dull tune, it was released as a single in 1963 and was the first song Richard Harris ever recorded. It had previously been a hit for Al Martino in 1952, but I haven’t been able to track down any information about how Harris’ version of Here in My Heart was received by the record buying public.
Harris was never a great singer but he was a great orator, and there is an obvious improvement in his voice when you compare his singing in This Sporting Life to his singing in Camelot four years later. Harris got the part of King Arthur in Joshua Logan’s version of Camelot after Richard Burton (who had been in the stage version) turned it down. In Camelot Harris gets to perform a few songs, including the impressive opening and ending themes. The film and the soundtrack were very popular with listeners in 1967 (including my parents!), and the film went on to win an Oscar for Best Music Score. Camelot is one of my favorite musicals and with a terrific cast that also includes fabulous sixties stars like Franco Nero, Vanessa Redgrave and David Hemmings, what’s not to like?
The popularity of Camelot led Richard Harris to record the pop album A Tramp Shining in 1968, which contained the hit song MacArthur Park. The song has become the butt of a few jokes over the years and is often parodied, but I think it’s amazing for it’s length, memorable lyrics and bombastic tone. Listening to it today might make you wonder how in the world it ever became a hit, but I think it’s a really remarkable tune.
MacArthur’s Park is melting in the dark
All the sweet, green icing flowing down…
Someone left the cake out in the rain
I don’t think that I can take it
‘cause it took so long to bake it
And I’ll never have that recipe again
Oh, no!
Richard Harris’ album A Tramp Shining was written, arranged and produced by the American songwriter Jimmy Webb. Webb is best known for writing hit songs like Up, Up, and Away for The Fifth Dimension and By The Time I Get To Phoenix for Glenn Campbell, but the hit single MacArthur Park that he wrote for Richard Harris may be his most ambitious effort. MacArthur Park was #2 on the Billboard Hot 100 chart in 1968 and A Tramp Shining was nominated for Album Of The Year. Richard Harris was also nominated for Contemporary Pop Male Vocalist of The Year in 1968 for MacArthur Park.
After the success of his album A Tramp Shining, Harris would go on to record 10 more records, but he never really had the same success with his musical efforts that he achieved in the sixties. Listening to the record now, it’s impossible to not be reminded of the Camelot soundtrack since they share a similar musical style at times. MacArthur Park is undoubtedly the best song on the album, but I also like the sweet and short Dancing Girl and the epic unconventional composition The Yard Went on Forever, which rivals MacArthur Park in length. I’m sure my rather sentimental opinion of Richard Harris colors my view of A Tramp Shining, but the record is just plain fun to listen to.
There’s no video on YouTube featuring Harris actually singing MacArthur Park, but I did come across this video featuring Richard Harris’ hit song:
Newly added (1/2008) - another video detailing the recording and performance of the song from a British program called the “50 Greatest One Hit Wonders.”
Cinedelic Records has released a terrific series of Book & CD packages this year called Musical and Visual Tributes, which include collections devoted to the films of Pier Paolo Pasolini and another devoted to the films of Mario Monicelli
. On November 20th soundtrack enthusiasts can look forward to two new Musical and Visual Tributes from Cinedelic Records that focus one the films of Bernardo Bertolucci and Dario Argento.

Each of these new collections comes with a handsome 130 page hard-cover book covering the work of each director that contains rarely seen photos, reproductions of vintage poster art and publicity materials, as well as complete filmographies. Also included with each book is a terrific compilation CD with music from some of the director’s most celebrated films.
Bernardo Bertolucci: A Musical and Visual Tribute features the work of a lot of great composers such as Piero Piccioni, Ennio Morriocone, George Delerue, Augusto Martelli and Ryuichi Sakamoto. Musical selections from La Commare Secca (1962), Before the Revolution (1964), Partner (1968), The Conformist (1970), Last Tango in Paris (1972), 1900 (1976), Tragedy of a Ridiculous Man (1981), The Last Emperor (1987), Little Buddha (1993) and The Dreamers (2003) are all included on the accompanying CD.
Dario Argento: A Musical and Visual Tribute seems a bit more complete because Cinedelic Records was able to include an interview with Argento in the book that details his working relationship with composers he has collaborated with including Ennio Morricone, Claudio Simonetti and the band Goblin. The CD that accompanies the book features music selections from many of Argento’s films including The Bird With The Crystal Plumage (1970), The Cat O’ Nine Tails (1971), Four Flies On Grey Velvet (1971), Deep Red (1975), Suspiria (1977), Inferno (1980), Tenebrae (1982), Phenomena (1985), Opera (1987), Trauma (1993), Sleepless (2001) and The Card Player (2004), as well as a new tribute track performed by Signor Wolf.
For more information visit the official Cinedelic Records site.
Soundtrack enthusiasts should also keep an eye and ear out for the outstanding new DVD/CD package Maurice Jarre: A Tribute to David Lean, which I recently reviewed for Cinedelica. This new release features Jarre’s tribute concert for David Lean shot in 1992 and an interesting interview with the composer about his creative collaborations with the director.

For more information please see my recent review of Maurice Jarre: A Tribute to David Lean.

In addition to my previous review of Hiroshi Teshigahara’s film The Face of Another (1966) which has just come out on DVD, I decided to write up a brief piece about the talented Japanese actress and sixties pop idol Bibari Maeda for my music blog Let’s Go J-Sound!
Bibari Maeda has a brief role in The Face of Another, but very little is known about her in the US. If you’re interested in learning more about Maeda please check out my piece about her:


