I’m still working on compiling my list of my Favorite DVDs from 2007, which I plan on sharing here before the end of the month, but in the meantime I thought I’d put together a list of my Top 20 Favorite Soundtrack CDs of 2007. Not surprisingly, Italy’s Cinedelic Records, Japan’s Hotwax Trax, Sweden’s Fin de Siècle Media and Universal Music France all have multiple releases on my list. All of these labels have put out some fantastic music collections in recent years and I expect more great things from them in 2008. Now on with my Top 20 Favorite Soundtrack CDs of 2007 . . .

1. Naozumi Yamamoto - Branded to Kill (Koroshi no Rakuin)
The great Japanese composer Naozumi Yamamoto created many terrific jazz inspired scores for Seijun Suzuki’s films in the sixties and his work on Branded to Kill (1967) is some of his best. Various pieces of music from the Branded to Kill soundtrack have previously been available on a few compilations, but this great new CD from Think Records in Japan is the first time Yamamoto’s complete score for the film has been made available.
*You can listen to sound samples and purchase the CD from Movie Grooves

2. Hajime Kaburagi - Hotwax Trax Composer Series Hajime Kaburagi
Due to language barriers this fantastic collection of soundtrack compositions by one of Japan’s greatest composers is often being referred to only as the Nora-neko rokku: Sekkusu hanta (Stray Cat Rock: Sex Hunter) / Furyô shôjô Mako (Bad Girl Mako) Original Soundtrack and scores for both of those 1970/1971 films are featured on the CD, but this terrific collection of Hajime Kaburagi scores also contains compositions from many other great Japanese films that he scored including Bloody Territories (1969), Blackmail is My Life (1968), Velvet Hustler (1967) and Swirling Butterflies (1970). Hajime Kaburagi’s impressive soundtracks are influenced by a wide array of music including jazz, lounge and rock and I can’t recommend this wonderful collection enough.
* You can listen to sound samples and purchase the CD from Movie Grooves

3. Michel Magne - Soundtracks from the Films of Roger Vadim
I’ve loved the soundtrack from Barbarella (1968) since I first watched the film some 25 years ago, so I was thrilled to discover that the great French composer Michel Magne had written some music for Roger Vadim’s film that had never been published before and was finally released on CD from Universal Music France just last year. This terrific collection also contains music from some of Vadim’s other great films including La Ronde (1964) and Don Juan, or If Don Juan Were a Woman (1973). The CD comes with a nice booklet in French and English with background info on the release.
* You can purchase this collection at Amazon

4. Michel Legrand - Le Mans / The Hunter Original Soundtracks
The talented French composer Michel Legrand worked on some of Steve McQueen’s finest films, including the original Thomas Crown Affair (1968) and the excellent racing film Le Mans (1971). Le Mans features one of the composer’s best and most exciting scores, but the soundtrack hasn’t been available on CD for a long time. This new release from Universal Jazz France includes the complete soundtrack for Le Mans as well as the excellent score he composed for another Steve McQueen film, The Hunter (1980). The CD also contains a great booklet with background information about the composer’s work.
* You can purchase this collection at Amazon

5. Marc Wilkinson - Blood on Satan’s Claw Original Soundtrack
Blood on Satan’s Claw (1971) is one of my favorite British horror films and without a doubt one of Tigon Studio’s best releases. Most critics and horror fans tend to praise The Witchfinder General as Trigon’s best horror film, but I personally find Blood on Satan’s Claw more effective and chilling. The film also has a really terrific and extremely creepy score by composer Marc Wilkinson, which was made available on CD for first time last year from Trunk Records. Unfortunately this is a limited release so grab it while you can. It also contains some interesting liner notes.
* You can listen to sound samples, download individual song MP3s and purchase the soundtrack at Amazon

6. Ennio Morricone - Morricone Giallo
I love the scores that Ennio Morricone has composed for many gialli films and this wonderful collection of music from Bella Casa brings together some of the composers best and most unusual compositions from many of my favorite Italian thrillers including The Bird with the Crystal Plumage (1970), Forbidden Photos of a Lady Above Suspicion (1971), The Fifth Cord (1971) and Short Night of the Glass Dolls (1971), plus many more. This is not necessarily easy listening since much of the music included on the CD is rather experimental and unnerving, but it showcases Morricone’s great range and will make listeners immediately feel like they’ve just wandered into the set of a giallo production.
* You can purchase this collection at Amazon

7. Armando Trovajoli - Armando Trovajoli
Armando Trovajoli is one of Italy’s greatest composers and this fine collection from Cinedelic Records collects some of the composers best music from a wide selection of films, which he personally picked for this release. It’s a terrific introduction to his work and the CD also comes with an impressive book with lots of color photos, poster art from the films he worked on and extensive liner notes from many of the actors and directors he has worked with over the years.
* You can purchase this collection at Amazon

8. Various Artists - A Musical and Visual Tribute to the Cinema of Pasolini
The fascinating and controversial director Pier Paolo Pasolini worked with some of Italy’s finest composers during his lifetime, including Ennio Morricone, Carlo Rustichelli and Benedetto Ghiglia. This excellent collection from Cinedelic Records brings together some hard to find music from many of the director’s best films including Teorema (1968), Medea (1969), and Salo (1975). It also comes with a beautiful book that contains rare photos of the director at work, poster art, a filmography and detailed notes.
* You can purchase this collection at Amazon

9. Nora Orlandi - Il Dolce Corpo di Deborah Original Soundtrack
Nora Orlandi’s amazing score for the giallo film Il Dolce Corpo di Deborah (The Sweet Body of Deborah, 1968) was released on CD by Fin de Siècle Media for the first time last year. It’s an incredibly lush score with lots of groovy lounge and jazz influences. It’s also the only soundtrack from a film that I’ve never actually seen on my list. I love Orlandi’s film scores enough to purchase this blind and I can’t recommend it enough if you happen to enjoy Italian film scores as much as I do, but I’d also love to see Il Dolce Corpo di Deborah get an official DVD release in the U.S.
* You can purchase this collection at Amazon

10. Bruno Maderna - La Morte Ha Fatto L’Uovo Original Soundtrack
One of the most unusual giallo films I’ve ever had the pleasure to see is Giulio Questi’s La Morte Ha Fatto L’Uovo (Death Laid an Egg, 1968) and the film contains an impressive avant-garde score by composer Bruno Maderna. An edited version of the soundtrack had previously been available on CD, but last year Fin de Siècle Media released a wonderful new and complete version of Maderna’s quirky score for the film with 10 previously unheard bonus tracks.
* You can purchase this collection at Amazon

11. Kunihiko Murai - Hotwax Trax Composer Series Kunihiko Murai
This terrific collection of music contains the soundtracks composer Kunihiko Murai created for two of Eizo Sugawa’s Toho crime films, which starred the great action star Hiroshi Fujioka. The first score featured on the CD is for the 1974 film Yajû Shisubeshi: Fukushû no Mekanikku (Beast Must Die: The Mechanics of Revenge) and the second one included on the disc is for the 1973 film Yajû Gari (Beast Hunting). Both scores are really terrific and should appeal to anyone who enjoys funky jazz infused soundtracks.
* You can listen to song samples and purchase the CD at Movie Grooves

12. Luis Enríquez Bacalov - Django (Expanded Version) Original Soundtrack
Along with the more recognized work of Ennio Morricone, the talented composer Luis Enríquez Bacalov has created some of the best and most memorable soundtracks for many great spaghetti westerns. His score for Django (1966) has been available on CD for years, but last year the Japanese label Verita Note released this impressive soundtrack in it’s entirety. The Django Expanded Version contains 19 previously unreleased tracks and the quality is far superior to other releases I’ve heard.
* You can purchase this CD at Amazon

13. Various Artists - A Musical and Visual Tribute to the Cinema of Dario Argento
Please see my previous post about this release.

14. Ennio Morricone - Morricone Awards
At the 79th Academy Award show last year Ennio Morricone was finally honored with a Lifetime Achievement Award celebrating his long career as one of cinema’s greatest composers. In honor of the event, Cinedelic Records released a wonderful CD and book collection simply called Morricone Awards. This superb selection of music is a terrific introduction to the composer’s work if you’re unfamiliar with it, but it also comes with an impressive 62 page book that contains a complete discography of Morricone’s work with lots of rare original record sleeve art, film poster reproductions and photos that will impress longtime Morricone fans as well.
* You can purchase this CD at Amazon

15. Ronald Stein - Mad, Mod & Macabre: The Ronald Stein Collection
If you’d like to read a little more about this release, please read the brief write-up about Mad, Mod & Macabre: The Ronald Stein Collection that I wrote in June 2007 for Cinedelica.

16. Jiri Sust & Jiri Slitr - Daisies Original Soundtrack
I’ve only seen a handful of films from the Czech New Wave, but Daises (Sedmikrasky, 1966) is one of my favorites. The film features an unusual and quirky score by Jiri Sust and Jiri Slitr, which was released on CD for the first time in 2007 by Finders Keepers Records. The original soundtrack for the film has never been made available before in any format, but the music was taken from the original reels. The CD also contains unseen archive images from the film, poster art reproductions and detailed liner notes.
* You can purchase this CD at Amazon

17. Various Artists - Attori A Mano Armata
If you’d like to read a little more about this great Cinedelic Records release, please check out the brief write-up I did for Cinedelica on Attori A Mano Armata: The main actors of the most Violent season of the Italian Cinema Collection in May 2007.

18. Various Artists - A Musical and Visual Tribute to the Cinema of Bernardo Bertolucci
Please see my previous post about this release.

19. Laurie Johnson - Captain Kronos: Vampire Hunter Original Soundtrack
Captain Kronos: Vampire Hunter (1974) is one of Hammer’s best vampire films and it also happens to have a terrific and eerie score by British composer Laurie Johnson, but it has never been available in its entirety until last year when BUYSOUNDTRAX Records released it in association with GDI Records. Unfortunately this is a limited release, but it comes with a nice color booklet with movie stills and even features liner notes written by Hammer glamour girl Caroline Munro.
* You can purchase this collection at Amazon

20. Maurice Jarre - Film Music Masterworks Maurice Jarre
This nice collection from Film Music Masterworks features music from the film’s Jarre worked on with David Lean such as Ryan’s Daughter (1970), Lawrence Of Arabia (1962) and Doctor Zhivago (1965), as well as compositions from some of the composer’s finest work from René Clément’s Is Paris Burning? (1966) and John Huston’s The Man Who Would Be King (1975), mostly performed by the City Of Prague Philharmonic. It’s a great introduction to some of the composer’s best work and for the incredibly low retail price of $9.98, it’s well worth picking up.
* You can listen to sound samples, download individual song MP3s and purchase the CD at Amazon

I also recommend the other terrific Film Music Masterwork collections that were released in 2007 for Bernard Herrmann, Elmer Bernstein and Nino Rota.

Richard Harris in one of his many Nehru style jackets he designed himself (1968)

Blame TCM for recently showing Lindsay Anderson’s brilliant This Sporting Life (1963), blame the wonderful Colin for sending me a copy of Richard Harris’s 1968 album A Tramp Shining as an early Christmas gift and last but not least, blame The Simpsons for parodying one of my favorite musical numbers from Camelot (1967) in a recent episode that I just watched. All these factors have somehow combined to put the incredible Richard Harris in the forefront of my thoughts lately.

I first became aware of Richard Harris when I was a very young thing. My parents had a copy of the Camelot film soundtrack and the original Broadway recording, and both of them got a lot of play in our home. I can distinctly remember my father loudly singing all of Richard Harris’ songs from the film while he was in the shower.

Don’t let it be forgot
That once there was a spot,
For one brief, shining moment
That was known as Camelot.

As the years wore on I became enamored with Richard Harris, as well as that rowdy bunch of womanizing British & Irish actors who drank too much and had egos as big as their booming voices. Along with Richard Harris, I can never get enough of Richard Burton, Oliver Reed, Albert Finney and Peter O’Toole. They’re all personal favorites and I’ll watch them in anything.

With that pronouncement out of the way, you may be asking yourself, besides Richard Harris, what do This Sporting Life, A Tramp Shining and Camelot all have in common? Well, they all feature Richard Harris singing of course!

I was surprised while watching This Sporting Life recently to see Richard Harris take the stage at a pub and belt out a rather lackluster song called Here In My Heart. I love the film and I had first seen it many years ago, but I didn’t remember Harris singing in the movie. It’s one of his earliest and best films and his performance in it made him a star, but his singing voice seems rather underdeveloped in 1963. Even though Here In My Heart is a rather dull tune, it was released as a single in 1963 and was the first song Richard Harris ever recorded. It had previously been a hit for Al Martino in 1952, but I haven’t been able to track down any information about how Harris’ version of Here in My Heart was received by the record buying public.

Harris was never a great singer but he was a great orator, and there is an obvious improvement in his voice when you compare his singing in This Sporting Life to his singing in Camelot four years later. Harris got the part of King Arthur in Joshua Logan’s version of Camelot after Richard Burton (who had been in the stage version) turned it down. In Camelot Harris gets to perform a few songs, including the impressive opening and ending themes. The film and the soundtrack were very popular with listeners in 1967 (including my parents!), and the film went on to win an Oscar for Best Music Score. Camelot is one of my favorite musicals and with a terrific cast that also includes fabulous sixties stars like Franco Nero, Vanessa Redgrave and David Hemmings, what’s not to like?

The popularity of Camelot led Richard Harris to record the pop album A Tramp Shining in 1968, which contained the hit song MacArthur Park. The song has become the butt of a few jokes over the years and is often parodied, but I think it’s amazing for it’s length, memorable lyrics and bombastic tone. Listening to it today might make you wonder how in the world it ever became a hit, but I think it’s a really remarkable tune.

MacArthur’s Park is melting in the dark
All the sweet, green icing flowing down…
Someone left the cake out in the rain
I don’t think that I can take it
‘cause it took so long to bake it
And I’ll never have that recipe again
Oh, no!

Richard Harris’ album A Tramp Shining was written, arranged and produced by the American songwriter Jimmy Webb. Webb is best known for writing hit songs like Up, Up, and Away for The Fifth Dimension and By The Time I Get To Phoenix for Glenn Campbell, but the hit single MacArthur Park that he wrote for Richard Harris may be his most ambitious effort. MacArthur Park was #2 on the Billboard Hot 100 chart in 1968 and A Tramp Shining was nominated for Album Of The Year. Richard Harris was also nominated for Contemporary Pop Male Vocalist of The Year in 1968 for MacArthur Park.

After the success of his album A Tramp Shining, Harris would go on to record 10 more records, but he never really had the same success with his musical efforts that he achieved in the sixties. Listening to the record now, it’s impossible to not be reminded of the Camelot soundtrack since they share a similar musical style at times. MacArthur Park is undoubtedly the best song on the album, but I also like the sweet and short Dancing Girl and the epic unconventional composition The Yard Went on Forever, which rivals MacArthur Park in length. I’m sure my rather sentimental opinion of Richard Harris colors my view of A Tramp Shining, but the record is just plain fun to listen to.

There’s no video on YouTube featuring Harris actually singing MacArthur Park, but I did come across this video featuring Richard Harris’ hit song:

Newly added (1/2008) - another video detailing the recording and performance of the song from a British program called the “50 Greatest One Hit Wonders.”

Cinedelic Records has released a terrific series of Book & CD packages this year called Musical and Visual Tributes, which include collections devoted to the films of Pier Paolo Pasolini and another devoted to the films of Mario Monicelli. On November 20th soundtrack enthusiasts can look forward to two new Musical and Visual Tributes from Cinedelic Records that focus one the films of Bernardo Bertolucci and Dario Argento.

Each of these new collections comes with a handsome 130 page hard-cover book covering the work of each director that contains rarely seen photos, reproductions of vintage poster art and publicity materials, as well as complete filmographies. Also included with each book is a terrific compilation CD with music from some of the director’s most celebrated films.

Bernardo Bertolucci: A Musical and Visual Tribute features the work of a lot of great composers such as Piero Piccioni, Ennio Morriocone, George Delerue, Augusto Martelli and Ryuichi Sakamoto. Musical selections from La Commare Secca (1962), Before the Revolution (1964), Partner (1968), The Conformist (1970), Last Tango in Paris (1972), 1900 (1976), Tragedy of a Ridiculous Man (1981), The Last Emperor (1987), Little Buddha (1993) and The Dreamers (2003) are all included on the accompanying CD.

Dario Argento: A Musical and Visual Tribute seems a bit more complete because Cinedelic Records was able to include an interview with Argento in the book that details his working relationship with composers he has collaborated with including Ennio Morricone, Claudio Simonetti and the band Goblin. The CD that accompanies the book features music selections from many of Argento’s films including The Bird With The Crystal Plumage (1970), The Cat O’ Nine Tails (1971), Four Flies On Grey Velvet (1971), Deep Red (1975), Suspiria (1977), Inferno (1980), Tenebrae (1982), Phenomena (1985), Opera (1987), Trauma (1993), Sleepless (2001) and The Card Player (2004), as well as a new tribute track performed by Signor Wolf.

For more information visit the official Cinedelic Records site.

Soundtrack enthusiasts should also keep an eye and ear out for the outstanding new DVD/CD package Maurice Jarre: A Tribute to David Lean, which I recently reviewed for Cinedelica. This new release features Jarre’s tribute concert for David Lean shot in 1992 and an interesting interview with the composer about his creative collaborations with the director.

For more information please see my recent review of Maurice Jarre: A Tribute to David Lean.

In addition to my previous review of Hiroshi Teshigahara’s film The Face of Another (1966) which has just come out on DVD, I decided to write up a brief piece about the talented Japanese actress and sixties pop idol Bibari Maeda for my music blog Let’s Go J-Sound!

Bibari Maeda has a brief role in The Face of Another, but very little is known about her in the US. If you’re interested in learning more about Maeda please check out my piece about her:

- The Face of Bibari Maeda

I love soundtracks. I listen to film scores almost daily and as my last.fm charts show, I never get tired of my favorites. My blog’s name “Cinebeats” is directly tied to my love for films and film soundtracks.

When I heard about the Film Music Blog-a-thon I thought long and hard about the composers that I love and the scores that have left a deep impression on me. I couldn’t decide on one composer or soundtrack to write about, but one particular piece of music kept haunting me and reminding me of the incredible power that a great musical score can have over a film and its audience, and that was composer Georges Delerue’s theme music for Jean-Luc Godard’s film Contempt (a.k.a. Le Mépris, 1963).

Contempt is one of my favorite movies and I can’t think of another film that so perfectly captures that painful moment when two people fall out of love. There are countless romantic movies about couples falling in love, but very few films manage to capture the human anguish and profound sorrow of what it’s like to deeply love another human being and to have that love completely destroyed by one stupid gesture or careless action.

Some might say that Godard uses Georges Delerue’s theme for Contempt excessively within the film and he does. Delerue’s theme music is heard again and again throughout Contempt, but instead of becoming irritating or distracting, Delerue’s beautiful score only adds more layers and depth to Godard’s film as it pushes it onward towards its explosive conclusion.

Is there another piece of film music as perfect and as powerful? I’m not sure that there is and that’s why I couldn’t resist writing about it for the Film Music Blog-a-thon. Delerue’s theme for Contempt completely captivates me every time I hear it and I’m instantly brought back to the film’s complex emotional core and carefully constricted themes.

When I first watched Godard’s Contempt the film completely shattered me. I was a wreck for days after I saw it, but the movie’s incredible beauty also managed to take me to new heights that I’ve never really come down from and I truly believe that’s what a good film score is capable of. Great soundtracks can elevate a film as well as the audience to new unimaginable heights and bring meaning to the mundane.

The theme music for Contempt is part of my Radio Playlist and you can listen to it by scrolling down to Cinebeats Radio and clicking on the song Georges Delerue - Le Mépris featured in the right hand column of my blog. You can also hear it in the film’s trailer which I came across on Youtube.

The soundtrack for Contempt seems to have gone out of print, but you can still find used copies selling at Amazon.

On Sunday (Feb. 25th) Ennio Morricone will receiving an Honorary “Lifetime Achievement” Oscar at this years’ Academy Awards ceremony to celebrate his contribution to the art of film music. It’s unbelievable that it’s taken the Academy so long to recognize Morricone’s incredible contribution to cinema, but thankfully they’re going to try and make up for past mistakes on Sunday night.

Unfortunately it seems that during the Oscar show Celine Dion will be performing a tribute to Morricone, which I can’t understand. The talented Edda Dell’Orso, who has contributed amazing vocals to countless Morricone tunes is still alive and performing, so it seems really strange to me that Dion will be performing at the Oscars to honor Morricone instead of Dell’Orso. I also think Celine Dion’s vocal abilities pale in comparison to Edda Dell’Orso’s.

Ennio Morricone has long been one of my favorite film composers. I grew up in a household where Hugo Montenegro’s Music From ‘The Good, The Bad And The Ugly’ & ‘A Fistful Of Dollars’ & ‘For A Few Dollars More’ got a lot of play and even though it wasn’t exactly Morricone’s original score, that record definitely made a huge impression on me and helped shape my deep appreciation of film scores. When I started collecting soundtracks in the 1980s, Morricone’s original score for The Good, The Bad And The Ugly was one of the first ones I bought and it’s still my favorite Morricone-Leone score.

Trailer for The Good, The Bad and The Ugly (music by Ennio Morricone)

When I think about my favorite westerns, Ennio Morricone’s music immediately comes to mind. It’s hard not to be moved by the somber sounds of wailing harmonicas, Spanish horns, echoing whistles and Edda Dell’Orso’s haunting vocals that manage to perfectly bring to life the dirty, dusty and violent west that lives in my imagination. It’s tough to pick a favorite when it comes to Morricone’s soundtracks for spaghetti westerns because he composed so many great ones, including the scores for A Fistful of Dollars (1964), For A Few Dollars More (1965), Once Upon a Time in the West (1968), Death Rides A Horse (1967), My Name Is Nobody (1973), and A Bullet for the General (1966). Besides his amazing score for The Good, the Bad, and the Ugly (1966), I’m also really fond of Morricone’s score for The Great Silence (aka Il Grande silenzio) which he recorded in 1968.

The Great Silence is one of my favorite westerns directed by Sergio Corbucci and it stars Klaus Kinski in one of his most memorable roles as a vicious bounty hunter who’s being tracked down by a gunman out for revenge called Silence (Jean-Louis Trintignant). Morricone’s score for The Great Silence perfectly captures the mood of Corbucci’s film, which is set in a small dirty town as well as the snow-covered mountains of Utah. The main character of the film is called Silence because he can not speak due to having his tongue violently cut out when he was a young boy, so the film has very little dialogue compared to some other westerns. The “silence” in the film gives Morricone’s score room to really breath and come alive in ways that are extremely powerful and often very moving. It’s an incredible score for a really exceptional western that is filled with many beautiful as well as brutal moments.

Trailer for The Great Silence (music by Ennio Morricone)

Besides Italian westerns, Ennio Morricone has created some incredible scores for some of my favorite Italian horror films and thrillers including Nightmare Castle (1965),The Bird With the Crystal Plumage (1970), The Fifth Cord (1971), My Dear Killer (1972), Who Saw Her Die? (1972), Bluebeard (1972) A Lizard in a Woman’s Skin (1971) and Mario Bava’s action-packed Danger: Diabolik (1968).

I think Morricone’s giallo scores are among the best film scores he ever recorded and I find myself listening to them more then any other soundtracks that I own. These scores really show off his diversity as a composer since they often include a wide variety of musical styles. From jazzy beats to haunting melodies, Morricone’s giallo soundtracks are filled with memorable music that is often complemented by the vocal stylings of the great Edda Dell’Orso.

One of Morricone’s best giallo scores was composed for Massimo Dallamano’s film What Have They Done to Solange? (aka Cosa Avete Fatto a Solange?) recorded in 1972. This complex soundtrack features moody instrumentals, unusual rhythms and sharp horns. It also includes some surprisingly playful pieces of music as well. His score for What Have They Done to Solange? is one of Morricone’s most experimental and it’s also one of his darkest, which makes it extremely complimentary to Dallamano’s disturbing giallo.

Trailer for What Have They Done to Solange? (music by Ennio Morricone)

Another one of Ennio Morricone’s best giallo scores was created for Luciano Ercoli’s Forbidden Photos of a Lady Above Suspicion (aka Le Foto proibite di una signora per bene) recorded in 1970. Ercoli’s fascinating film is more mystery then horror and has lots of bare skin and very little bloodshed. Morricone’s score for the film is fantastic and includes lots of Bossa influences and pop beats. The music highlights the sexier aspects of Ercoli’s giallo, but still manages to be extremely suspenseful at all the right moments.

Trailer for Forbidden Photos of a Lady Above Suspicion (music by Ennio Morricone)

I have a lot of favorite Morricone scores and this post only highlights a few of them. Hopefully it has introduced a couple of people to scores they haven’t heard or at least encouraged someone to seek out Morricone’s more obscure soundtracks. He’s composed hundreds of amazing scores for films and I’ve only heard about 30 or 40 myself, so I’m looking forward to discovering a lot more gems hidden away in Ennio Morricone’s incredible discography. I’m also looking forward to seeing Clint Eastwood (I hope!) present Morricone with his long overdue Oscar on Sunday night.

Ennio Morricone’s Offical Website - EnnioMorricone.com

Fan Run Music Blog - Morricone Lover

For lots more Oscar talk and links to more Morricone related articles stop by Dennis Cozzalio’s great film blog Sergio Leone and the Infield Fly Rule

Being a music lover, I really enjoy visiting great music blogs such as Lounge Tracks, Schlocker, ScoreBaby Annex,Winged Avenger and the new collaborative effort Splendida Project.

My guy and I both love all kinds of music and last week we decided to start our own joint music related blog called Let’s Go J-Sound! so we could share some of our favorite Japanese tunes with other music lovers. I hope some of CINEBEATS regular readers will stop by Let’s Go J-Sound! for a listen.