
I came across a recent interview with the lovely actress Claudia Cardinale that I just had to share. It took place on February 3, 2009 and I think it’s a fun read. In the brief interview she talks about her past work with director’s like Luchino Visconti and Fellini, and she reflects a lot on the the acting profession in general. I was especially touched when the actress fondly mentioned how close she is with her one time co-star, Alain Delon.
‘Alain often calls me, we are very close,’ Claudia continues. ‘He always says that even though our romance was only on screen we will be together forever!’
From her recent interview found at the European magazine Cafebabel.com.

Popsy Pop (1971) is a heist crime/caper film made by the French director Jean Herman. Herman is responsible for one of my favorite heist films of all time (Adieu l’ami a.k.a. Honor Among Thieves) so I knew I’d probably enjoy Popsy Pop and I wasn’t wrong.
This fascinating film was scripted by Henri Charrière who also stars in the film. Popsy Pop is loosely based on his second book called Banco the Further Adventures of Papillon. If that title sounds familiar, it’s because Henri Charriere’s first book was the critically acclaimed Papillon
, which was later made into an award winning film. Many people are aware of Henri Charrière thanks to the film version of Papillon
that told the story of his long captivity in the penal colony of French Guiana as well as his later imprisonment and eventual escape from the notorious prison, Devil’s island.

Interestingly, Papillon (1973) was made after Popsy Pop (1971) which seems to have been almost completely ignored by most film critics at the time. This isn’t surprising since Popsy Pop will probably only appeal to a small audience of movie lovers like myself who enjoy unusual caper films shot in exotic locations with great soundtracks. If you’re looking for a solid well acted film with a coherent script, you should probably look elsewhere since Popsy Pop has very little to hold it together besides Claudia Cardinale’s fabulous wardrobe and wacky wigs.

Tough guy Stanley Baker (The Guns of Navarone, Eva, Zulu, A Lizard in a Woman’s Skin , etc.) plays Inspector Silva who is keeping his eye on the local diamond fortune. He greets Popsy when she arrives in the steamy jungle and soon the heat between them both starts to rise. Inspector Silva falls for pretty Popsy fast and hard, which is somewhat understandable since his life in the jungle seems to have very little distractions and Popsy is most certainly an interesting distraction. Soon he is offering himself up as her personal escort and they quickly develop a loosely formed realtionship.

Like most good heist films, things don’t exactly go as planned and Popsy Pop ends up stealing the diamonds for herself. Soon Inspector Silva and Marco are forced to team up and together they begin a cross country chase through the jungles and cities of Latin America after Popsy and the elusive diamonds.

Jean Herman’s directing is occasionally impressive in the film, especially after the chase for Popsy and the diamonds begin, but it also seems muddled by the clumsy script and often lackluster performances from the three main stars. A lot of the action in the film is unintentionally funny and poorly executed, but I think the unusual plot turns as well as the exotic locations keep the film interesting.

With all it’s faults I still found a lot to enjoy about Popsy Pop. It’s a shame that the movie hasn’t gotten a better DVD release yet because it would really benefit from a better quality print with good sound. Hopefully a DVD company will take the time to restore the film someday before it’s forgotten about forever.




