Modern Mondays: Innocence (2004)

by Kimberly Lindbergs | August 24, 2009

Categories | Movie Reviews, Horror, French Cinema, Modern Mondays

Part horror film, part fairytale and pure allegory. Nothing in Lucile Hadzihalilovic’s 2004 film is as it seems. Much like her artistic partner, filmmaker Gaspar Noé, Hadzihalilovic is obviously interested in making films that push past expectations and delve into the unconscious mind. Innocence isn’t simply a film about what’s on the screen. It is a film that reflects what the audience chooses to see when they watch it. The movie takes place in the dream-like surroundings of a gated school for young women where imagery is much more important than story. Characters speak very little and what they do say is often less important than what they don’t say.

Throughout Innocence Lucile Hadzihalilovic’s direction is flawless and once you’ve entered the world she’s created it’s impossible to forget it. Much like Peter Weir’s excellent 1975 film Picnic at Hanging Rock, Innocence uses the sterile and beautiful world of a girl’s boarding school as a backdrop for exploring ideas about society, power, control and gender. How we respond to these films often illustrates the way in which we see the world. But there’s no denying that Innocence is a film intended to shake up its audience and make them think. At times watching Innocence is an uncomfortable experience and it should make viewers squirm. It’s a horror film without shocks. It’s a fairytale for adults. Innocence is anything but forgettable entertainment. It will crawl under your skin and stick there.

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Modern Mondays: Love Songs (2007)

by Kimberly Lindbergs | June 22, 2009

Categories | Movie Reviews, French Cinema, Musicals, Romance, Modern Mondays, Gay Interest

When I first mentioned that I was going to start “Modern Mondays” at Cinebeats I briefly discussed how much I liked musicals so I thought I’d share a few thoughts about the best musical I’ve seen in recent years, Love Songs (aka Les chansons d’amour; 2007).

Love Songs was directed by the talented French filmmaker and writer Christophe Honore (Ma mère; 2004, Dan Paris; 2006) and features an original musical score by composer Alex Beaupain. It also stars one of my favorite working actors, the incredibly handsome and charismatic Louis Garrel (The Dreamers; 2003, Regular Lovers; 2005, Dans Paris; 2006). The film tells a rather simple and bittersweet story about three young lovers living in Paris who are torn apart physically and emotionally after one of them unexpectedly dies. Romantic films featuring bisexual threesomes instead of typical “boy meets girl” couples are rare enough, but I’m pretty sure that Love Songs is one of the first full-length musical involving a ménage à trois.

The film’s unconventional take on love and loss is refreshing and beautifully handled by director Christophe Honore. In many ways Love Songs is the director’s love letter to French cinema from the ’60s. Fans of classic French films such as Jacques Demy’s The Umbrellas of Cherbourg (1964), Francois Truffaut’s Jules and Jim (1962) and Jean-Luc Godard’s A Woman Is a Woman (1961) will easily spot their influence on Honore’s film, but like the nouvelle vague artists that he celebrates here, director Christophe Honore is clearly interested in breaking new ground. He sidesteps much of the ambiguity that was often a trademark of ’60s French cinema to unabashedly deal in honest human anguish, passion and desire.

Love Songs is a sentimental film and I appreciated its sweetness and romanticism, but it’s also a thoughtful meditation on loss and the painful grieving process that occurs after we loose someone we deeply care about. There’s nothing more agonizing than the sudden and unexpected death of a loved one and I think Love Songs greatest achievement besides it’s wonderful score, smart script and beautiful cinematography is the way in which it expertly conveys that overwhelming sense of unexplainable sorrow that can become paralyzing after you suffer a great loss.

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20 Favorite DVD Releases of 2008: Part I.

by Kimberly Lindbergs | March 11, 2009

Categories | Movie Reviews, Horror, Japanese Cinema, French Cinema, American Cinema, Crime, Hammer Horror, Spanish Cinema, Alain Delon, Criterion, Serge Gainsbourg, Helmut Berger, Thrillers, William Klein, Favorite 2008 DVDs, Jean-Paul Belmondo, Featured, Yasuharu Hasebe, Nikkatsu

I hate to be the bearer of bad news, but overall 2008 was somewhat of a lackluster year for new Region 1 DVD releases of ’60s and ’70s era films when compared to the previous two years (See: 2006 and 2007). Some of my favorite DVD companies such as BCI Eclipse and most recently New Yorker Films have folded. Boutique DVD companies are releasing fewer products and what is being released is often of questionable quality. With the failing economy and the rise in popularity of Blu-ray discs, it seems like the number of new worthwhile DVD releases might continue to drop dramatically in 2009. Many companies such as Blue Underground and Criterion are choosing to re-release films that have already been available on DVD, while big studios like Warner Brothers and Paramount seem to be focusing a lot of their energy on re-releasing titles on Blu-ray instead of releasing old films from their vaults.

Even with this disappointing turn of events, fans of ’60s and ’70s cinema were still offered some great DVD box sets from companies like Lions Gate as well as Criterion. Sony Pictures has also released an interesting batch of DVDs under their new “Martini Movies” label. And with curiosity about Japanese pink films on the rise, companies like Mondo Macabro and Media Blasters took full advantage of this and released some unexpected gems last year. 2008 was also a great year for British horror fans. Besides multiple Hammer DVD releases including the Icons of Horror: Hammer Films Collection and the Icons of Adventure Film Collection, there were also some great Amicus films released such as Freddie Francis’ The Skull and The Deadly Bees.

In previous years I’ve shared a list of my Top 30 Favorite DVD releases, but this year I’m narrowing my list down to my favorite Top 20 releases. This is mainly due to my disappointment with last year’s DVD offerings and I wanted to focus on a limited selection of new releases that I really enjoyed. As always, my list only features films that were originally released between 1960 and 1979 on Region 1 DVD. I tried not to include any DVD re-releases on my list or TV shows, but there were plenty to choose from. My selections are listed in alphabetical order and I’ll be posting them in two parts in the coming week. Below are selections #1-10.

Alain Delon and Romy Schneider in La Piscine (1969)

1. Alain Delon - Five Film Collection (Lions Gate)
Anytime an Alain Delon film finds it’s way onto DVD for the first time there’s a celebration in my home! The Lions Gate Alain Delon DVD boxset was a real treat and offered viewers the opportunity to see five films starring my favorite French actor. I thought the best films in the collection were easily La Piscine aka The Swimming Pool (1969) and Diaboliquement vôtre aka Diabolically Yours (1967), which I reviewed back in 2007. But The Widow Couderc and Notre Histoire also make for some worthwhile viewing. Le Gitan aka The Gypsy (1975) is a bit like sitting through Zorro II, but it’s missing the catchy theme song. I actually enjoy Delon’s original Zorro (1975) film, but Le Gitan left me a little cold. For more information about this DVD release please see my previous comments about it here.

Christopher Walken, Stan Gottlieb and Sean Connery in The Anderson Tapes (1971)

2. The Anderson Tapes (Sony Pictures)
The Anderson Tapes (1971) is one of the hidden gems that can be found in the recent batch of “Martini Movies” released by Sony Pictures. This ’70s caper film was directed by Sidney Lumet when he was at the top of his game and it’s based on a novel written by Lawrence Sanders. The movie features a great cast that includes Sean Connery, Dyan Cannon, Martin Balsam, Alan King and a very young and incredibly cute Christopher Walken in his first major film role. The premise of the film involves a group of con men that Anderson (Sean Connery) brings together in order to pull off a major heist at an upper-class apartment building in New York. Unfortunately for Anderson everyone he contacts is under surveillance for different reasons, so every move he makes is being carefully monitored. Sidney Lumet does an impressive job of filming the events as they unfold through the use of surveillance cameras and sound. And I really liked the adult way that Connery’s relationship with Dyan Cannon was handled. The film was released a year before the Watergate scandal made headlines and three years before Francis Ford Coppala’s seminal film The Conversation, which tackled similar themes. I was surprised by how much The Anderson Tapes had obviously influenced Coppola’s later films and I’m not just referring to The Conversation. Clearly writer Lawrence Sanders and director Sidney Lumet were well aware of the way surveillance was starting to play a role in modern society and the film does a terrific job of exploring the way it invades the life of one unsuspecting man. Quincy Jones created the film’s soundtrack and I think is one of the composers most experimental and unusual efforts. Jones used electronic sounds and noise to convey various emotions and ideas in the film and it works really well with the way Lumet handles the material. The film is presented in widescreen and the print looks terrific. Unfortunately there aren’t a lot of extras on the DVD besides the original trailer and the Martini Movie features which come with every one of their releases.

Assault! Jack the Ripper (1976)

3. Assault! Jack the Ripper (Mondo Macabro)
This is not an easy film to recommend and many will undoubtedly be shocked by the film’s subject matter. Some hardened horror fans will even shy away from the graphic nature of the film, but Assault! Jack the Ripper (1976) is easily one of the most transgressive and fascinating violent pink movies I’ve seen and in turn, one of my favorite DVD releases of last year. Assault! Jack the Ripper was directed by Yasuharu Hasebe who has made some of my favorite Japanese films including Black Tight Killers (1966), Bloody Territories (1969), Female Prisoner Scorpion: #701’s Grudge Song (1973) and the Stray Cat Rock films. The movie centers around the violent and erotic adventures of young working couple who accidentally discover that they get sexual satisfaction from torturing and murdering other women. The film used true crimes such as the notorious Chicago nurse murders committed by Richard Speck for inspiration. It’s propelled by an incredible Euro-flavored soundtrack and some breathtaking cinematography. Assault! Jack the Ripper is not light viewing and audiences should be prepared to watch the DVD extras that come with the film in order to get a deeper understanding of the movie’s subversive themes, but it’s well worth the effort for adventurous viewers. The DVD extras include an insightful interview with author Jasper Sharp who wrote Behind the Pink Curtain: The Complete History of Japanese Sex Cinema, extensive notes about the film and a great documentary called The Erotic Empire which discusses Nikkatsu Studios “Romantic Pornographic” aka Roman Porno films.

Blue Eyes of the Broken Doll (1973)

4. Blue Eyes of the Broken Doll (Special Edition) (BCI / Eclipse)
A lot of Paul Naschy films found their way onto DVD last year, but Carlos Aured’s Blue Eyes of the Broken Doll (1973) was my favorite of the bunch. In this Spanish giallo Paul Naschy plays a deeply troubled ex-con who gets hired as a caretaker for a lavish estate owned by three beautiful sisters who seem to all vie for Naschy’s affections. After Naschy takes the job, a serial killer begins terrorizing the countryside and removing the eyes of his blue-eyed victims. Is Naschy the cold-blooded killer or is someone else to blame for the horrible murders? You’ll have to watch the film to find out! No one in Blue Eyes of the Broken Doll is particularly likable, but I found that aspect of the film strangely compelling. Carlos Aured does a good job with the dream sequences in the film and Paul Naschy ’s script features plenty of unusual twists and turns to keep viewers entertained. Fans of European thrillers should find the film enjoyable. The DVD comes with some great extras including audio commentary with Paul Naschy and director Carlos Aured.

Reiko Oshida in Delinquent Girl Boss: Blossoming Night Dreams (1970)

5. Delinquent Girl Boss: Blossoming Night Dreams (Media Blasters)
For more information about this release please see my lengthy review of the film here.

Serge Gainsbourg, Delphine Seyrig and John Abbey in Mr. Freedom (1969)

6. The Delirious Fictions of William Klein - Eclipse Series 9 (Eclipse / Criterion)
This Eclipse/Criterion DVD collection was one of the best things the company released last year and for my money, possibly the best DVD film collection of 2008. Previously William Klein’s films were incredibly hard to come by and the prints that were floating around from various sources were often very poor. Criterion’s choice to release three of William Klein’s films was a real surprise and a treat for anyone like myself who enjoys avant-garde cinema from the ’60s. Director William Klein was a fashion photographer and an American expat living in Paris when he made these films, which satirize the fashion industry, pervading cultural values and American political policies. Although some may see the films as mere products of the times that they were made in, I think they’re still extremely relevant today. Who Are You, Polly Maggoo? aka Qui êtes-vous, Polly Maggoo? (1966) and Mr. Freedom (1969) are the standout features in this three film set and I’d be hard pressed to pick a favorite from the two. Both films feature some incredible visuals and lots of dark humor. The Model Couple (1977) is also well worth a look even if it’s lacking the style and intellectual punch of the other two films in the collection. This terrific set of films deserves a lot more attention than I can give it now but I briefly mentioned how excited I was about this DVD release last year and you can find that post along with a clip from Who Are You, Polly Maggoo? here. Unfortunately like all the Eclipse/Criterion DVD releases this DVD collection is very bare bones, but still well worth owning.

The Gorgon (1964)

7. Icons of Horror: Hammer Films (Sony Pictures)
I’m always happy to see any Hammer horror films finding their way onto DVD and the 2-disc Icons of Horror collection contained one of my long-time favorite Hammer productions, Terence Fisher’s The Gorgon (1964) as well as Seth Holt’s exceptional thriller Scream of Fear (1961). This four film collection also featured Michael Carreras’s The Curse of the Mummy’s Tomb (1964) and The Two Faces of Dr. Jekyll (1960). I hadn’t had the opportunity to see Terence Fisher’s The Two Faces of Dr. Jekyll before this DVD release and I was really surprised by how well done the film was. I personally think it’s one of the better films based on Robert Louis Stevenson’s classic story thanks to Paul Massie’s excellent duel performance as Dr. Jekyll/Mr. Hyde. The Curse of the Mummy’s Tomb is definitely the weakest film in the collection, which still means it’s better than most of the horror films you’ll find playing at your local multiplex right now. All the films look terrific and are presented in widescreen. Terence Fisher and Seth Holt were two of the finest directors that worked with Hammer studios so it’s nice to see them both represented in this great new DVD set. Unfortunately it suffers from a lack of extras which plagues many Hammer DVD releases, but it’s hard to complain when you can currently purchase all four films for a mere $16.99 at Amazon (see link above).

Oliver Reed and Carol Lynley in The Shuttered Room (1967)

8. It!/The Shuttered Room (Warner Home Video)
I have so much I want to say about these two joint British/American productions that I hate trying to sum up my feelings in one paragraph so I may revisit them later, but in an effort to get this list finished up I’ll try and formulate a few quick thoughts. It! (1966) is a highly entertaining horror movie directed by Herbert J. Leder and it stars the talented Roddy McDowall. McDowall plays a mentally disturbed museum curator (playing homage to Anthony Perkins) who finds himself in all kinds of trouble after he displays a strange statue at the museum where he’s employed. The highly improbable plot gets more and more ridiculous as the film unfolds, but I won’t spoil it for potential viewers. It! is a really fun movie that has to be seen to be believed and Roddy McDowall is terrific in it. The second film in this two movie set is David Greene’s The Shuttered Room (1967) and it’s the real reason you should purchase this DVD. The movie features a great cast and two exceptional performances from the film’s star Carol Lynley and her co-star, the late great Oliver Reed. The script is based on a story written by August Derleth, who was H. P. Lovecraft’s posthumous collaborator and Derleth used many of Lovecraft’s own notes and ideas to compile his tale. The finale result may seem a little uneven to some, but I think The Shuttered Room is one of the few films that successfully captures the unsettling mood found in some of Lovecraft’s best fiction. David Greene’s direction is impressive at times, but the film is really elevated by the experimental avant-garde score composed by controversial British jazz musician Basil Kirchin. Kirchin composed music for other British horror films such as The Abominable Dr. Phibes (1971) and The Mutations (1974), but his score for The Shuttered Room just might be his most effective. Unfortunately this is another bare bones DVD release with no worthwhile extras, but it’s great to see these deserving horror films finally being made available. I’d previously only seen washed out and cut-up prints of The Shuttered Room on television so I was thrilled by the print quality of this new DVD from Warner.

Jean-Paul Belmondo in Le Doulos (1963)

9. Le Doulos (Criterion)
Le Doulos (1963) is one of Jean-Pierre Melville’s earliest crime films (aka “policier”) and while it’s missing some of the polish of the director’s later efforts, it’s still an exceptional film featuring a truly memorable performance from the great Jean-Paul Belmondo. Belmondo charms his way through the film playing a surprisingly ruthless gangster named Silien, who may or may not be a police informant referred to as a “Le doulos” in French slang terms. The film borrows from many classic noir films, but Melville brings his own trademark style and edginess to the proceedings, which gives Le Doulos lots of modern appeal. Criterion did an exceptional job on their release of Le Doulos and one can only hope that they’ll continue to release more of Melville’s films on DVD in the future. Besides a beautifully restored print of the film, the new DVD comes with some great extras including archival interviews with Melville and actors Jean-Paul Belmondo and Serge Reggiani, audio commentary by film scholar Ginette Vincendeau, the original theatrical trailer and a thoughtful new essay by film critic Glenn Kenny.

Helmut Berger in Ludwig (1972)

10. Ludwig (KOCH Lorber Films)
Few directors know how to create epic historical dramas like Luchino Visconti and Ludwig (1972) is one of the director’s most ambitious efforts. This four hour film is not without its flaws, but if you take the time to watch this dramatic retelling of the life of the “mad” Kind Ludwig II of Bavaria you’ll be rewarded with some lush cinematography, grandiose set designs, fabulous period costumes and great performances from the film’s impressive cast. Like many of Visconti’s previous efforts, the film offers viewers an intelligent critique of the powerful and wealthy, while celebrating their extravagances and mourning the passage of time. One of my favorite actors is the Austrian born Helmut Berger who stars as King Ludwig here and this film offered him one of his most expansive and fascinating roles. Visconti and Berger were long-time lovers and they work extremely well together. Visconti indulged Berger during the making of Ludwig and gave the actor plenty of freedom to bring the mad King to life, but he also knew when to rein him in. The film also features Trevor Howard as composer Richard Wagner, Silvano Mangano as Wagner’s mistress Cosima Von Buelow and Romy Schneider was smartly cast as the Empress Elisabeth of Austria. The lovely and talented Romy Schneider had previously become a star due to her sympathetic portrayal of the young Empress Elisabeth in the popular Austrian Sisi films and she brings a lot of experience and skill to her role. This impressive two disc DVD set from KOCH Lorber Films features a digitally restored and re-mastered widescreen print of the film and it’s loaded with extras including a documentary about director Luchino Visconti, a profile of actress Silvano Mangano and an interview with costume designer Piero Tosi. I wish one or two of the extras included with the DVD focused a bit more on the film’s star Helmut Berger, but that’s a minor complaint. This release is a real treat for Luchino Visconti fans like myself.

The second half of my Favorite DVDs of 2008 list can be found here.

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The U.S. Premiere of Les Idoles (1968)

by Kimberly Lindbergs | November 16, 2008

Categories | Movie Reviews, News, French Cinema, Musicals, 1968, Pierre Clementi, yé-yé

If you live in New York or will be visiting the area on November 25th, you won’t want to miss the U.S. Premiere of the French pop musical spectacular, Les Idoles (1968). New York’s Film Society at Lincoln Center will be showing the film November 25th and following the film you can attend a fabulous yé-yé afterparty where DJs J Tripp, Melody Nelson, and the Film Society’s own Gabriele Caroti will spin French psychedelic ’60s pop.

For more information about Les Idoles and it’s upcoming U.S. Premiere please visit the official site for the Film Society of Lincoln Center.

Les Idoles was based on a popular stage play performed by the Center for Theater & Experimentation on Actor Performance founded by Marc’O (aka Marc-Gilbert Guillaumin) who also directed the film version of Les Idoles in 1968. The film’s stars were all originally members of Marc’O’s avant-garde theater group and in many ways Les Idoles was an accumulation of the work they did together on stage. This psychedelic musical satire serves as both a critique and inadvertently a celebration of French pop music and yé-yé culture in the sixties, which seemed to fuel the revolutionary spirit in French youth while also offering up easy escapism. Les Idoles apparently received a warm reception in France when it debuted in 1968, but for one reason or another the movie was never released in the United States.

The film centers around the rise and fall of three pop stars who sing and dance their way through Les Idoles. Pierre Clémenti plays the unruly and rebellious Charly “the Knife” le Surineur who is supposedly based on the real French pop idol Johnny Hallyday and the lovely Bulle Ogier plays the kooky, sweet and naive Gigi “the Mad” la Folle who seems to be a combination of two popular yé-yé girls; Sylvie Vartan and France Gall. And finally there is Jean-Pierre Kalfon as the singer with psychic powers known as Simon “the Magician” le Magicien. Although the quality of the musical numbers in Les Idoles varies, the three leading actors give some of their most energetic and sensational performances in this uncompromising musical.

I first discovered Les Idoles during a trip to Tokyo in late 2005. The film had just been released there and many of the music shops I visited displayed large advertising posters for Les Idoles DVDs, as well as CDs, books and other yé-yé related promotional materials. The Japanese seem to love French pop music from the sixties and it heavily influenced the Shibuya-kei scene made popular by great Japanese bands like Pizzicato Five so it’s not too surprising that Les Idoles would find an enthusiastic audience in the “Land of the Rising Sun.” Thanks to the upcoming U.S. premiere of the film, American audiences will now get the opportunity to enjoy Les Idoles as well.

I’ve never had the opportunity to see Les Idoles with English subtitles myself and since I don’t speak French it’s impossible for me to really write a thorough and detailed review of this imaginative film. I can tell you that the film has a distinct visual vocabulary and a wonderful sound that appeals to my senses and reaches well beyond any language barriers. If I do get the opportunity to see a subtitled version of Les Idoles in the future there’s a high probability that it will become one of my favorite films of 1968.

Besides the creative direction from Marc’O and the talented cast of actors who perform some great songs in the movie, Les Idoles also features some truly incredible set designs and striking interiors by Laurent Gire as well as stylish period costumes created by Jean Bouquin. All of this combines to make Les Idoles easily one of the most interesting and eye-catching musicals made in France during the sixties.

I’ve previously mentioned how much I admire and adore the actor turned filmmaker Pierre Clémenti, but his show-stopping performance as Charly “the Knife” le Surineur is truly one of his greatest roles. Clémenti was always ahead of his time and he brings an edgy youthfulness and bold abandon to the character of Charly “the Knife” that’s reminiscent of great iconic music artists from the late ’60s and early ’70s such as Jim Morrison and Iggy Pop. The lean pale figure clad in black leather that prowls the sets of Les Idoles could have easily given up acting to become one of the pop idols he mimics and that’s what makes his performance so compelling and dynamic. Clémenti is the picture perfect protopunk with the soul of a decadent 19th century French poet.

If you’re interested in experimental French film or just enjoy colorful French musicals from the sixties, then Les Idoles is definitely worth a look. Hopefully the U.S. premiere of the film will lead to a subtitled DVD release in the states so those of us who can’t make it to New York on November 25th will be able to enjoy this extraordinary film in the future.

If you’d like to see more images from the film you’ll find them in my Les Idoles Flickr Gallery.

Some recommended links:
- REVOLT INTO STYLE: Les Idoles. Sam Di Iorio’s insightful article about Les Idoles for Film Comment.
- Yé-Yé Land. A great site with lots of info about French pop music created by my pal April.
- Ode to Marcel. My previous tribute to Pierre Clémenti celebrating his role in Belle de Jour.

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Divine BB

by Kimberly Lindbergs | October 14, 2008

Categories | Soundtracks, Composers, French Cinema, Actresses, Serge Gainsbourg, Brigitte Bardot, yé-yé

If you’re a Brigitte Bardot fan I highly recommend picking up the latest Cinedelic Book/CD compilation simply called BB Brigitte Bardot. It’s a wonderful collection of beautiful photos of the actress, reproductions of classic movie poster art and music from many of Bardot’s most popular films including En effeuillant la marguerite (aka Plucking the Daisy/Mademoiselle Striptease), Et Dieu… créa la femme (aka …And God Created Woman), Une parisienne (aka La Parisienn), En cas de malheur (aka Love Is My Profession/In Case of Adversity), La Vérité (aka The Truth) and Le Mépris (aka Contempt). The music CD also contains some of the best pop songs that Bardot recorded with French composer Serge Gainsbourg and a complete filmography for the actress who retired in 1973.

“BB is the perfect combination of different notes and chords that all together sound like one perfect melody. Her power of seduction was God’s gift, her posture and famous walk matched her fame, as well as her enigmatic appeal that went far beyond mere beauty: it was more like a sensual instinct able to mesmerize and capture. Brigitte encompassed the meaning of beauty, freedom, transgression and quirkiness, yet the look in her eyes revealed a childlike naiveté of sorts, perfectly embodying the disquieting and mischievous elements of the classic femme fatale. This book is a tribute to Divine BB’s astounding career and includes movie posters, rare on-set pictures, the complete filmography and a CD with original music.” - Cinedelic

Cinedelic has really done a terrific job of gathering together some rare and wonderful material for BB Brigitte Bardot. The 150 page book and accompanying CD is the perfect introduction to the career of this talented actress and songstress, but it will undoubtedly be appreciated by Bardot’s longtime fans too.

Sample images from Cinedelic’s BB Brigitte Bardot Book/CD

I’ve seen numerous track listings for the CD online but none of them appear to be complete. If you’re considering purchasing the set it’s helpful to know exactly what you’re getting so I thought I’d share my own track listing with more detailed information about the composers and film scores featured on Cinedelic’s BB Brigitte Bardot CD. Hopefully others will find it useful.

Track Listing for BB Brigitte Bardot:
1. Poppea - Angelo Francesco Lavagnino from Mio figlio Nerone (Stefano Vanzina; 1956)
2. Strip Tease - Paul Misraki from En effeuillant la marguerite (Marc Allégret; 1956)
3. Scene Sentimentale - Paul Misraki from En effeuillant la marguerite (Marc Allégret; 1956)
4. Et Dieu Crea La Femme - Paul Misraki from Et Dieu… créa la femme (Roger Vadim; 1956)
5. Du Moi Quelques Choses D’Amour - Paul Misraki from Et Dieu… créa la femme (Roger Vadim; 1956)
6. Paris BB - Henri Crolla/André Hodeir/Hubert Rostaing from Une parisienne (Michel Boisrond; 1957)
7. La Parisienne - Henri Crolla/André Hodeir/Hubert Rostaing from Une parisienne (Michel Boisrond; 1957)
8. Theme A - René Cloërec from En cas de malheur (Claude Autant-Lara; 1958)
9. Theme B - René Cloërec from En cas de malheur (Claude Autant-Lara; 1958)
10. Yo Tengo Una Muneca - Xavier-Mitchell Y Su Quinteto from La Vérité (Henri-Georges Clouzot; 1960)
11. Le Mepris/Generique - Georges Delerue from Le Mépris (Jean-Luc Godard; 1963)
12. Camille - Georges Delerue from Le Mépris (Jean-Luc Godard; 1963)
13. Contact - Brigitte Bardot (composed by Serge Gainsbourg in 1967/68)
14. Harley Davidson - Brigitte Bardot (composed by Serge Gainsbourg in 1967/68)
15. Bonnie and Clyde - Brigitte Bardot & Serge Gainsbourg (composed by Serge Gainsbourg in 1967/68)
16. Plaisir D’Amour - Brigitte Bardot (composed by Jean-Paul Martini/Jean-Pierre Claris de Florian/Hector Berlioz; 1780)
17. Sur Le Boulevad Du Rhum - Brigitte Bardot (composed by François de Roubaix/Robert Enrico/Pierre Pelegri for the film Boulevard du rhum dir. Robert Enrico; 1971)
18. Je T’Aime BB - Bebo Best & The Super Lounge Orchestra (tribute song w/Brigitte Bardot vocal samples; 2008)

You can currently purchase the BB Brigitte Bardot Book/CD set at Amazon for $29.98 and used copies can be bought there for about $20.

I like a lot of the songs that Serge Gainsbourg composed for Brigitte Bardot and one of my favorites is the psychedelic space-age pop song Contact, which is available on the new Cinedelic CD. Below is a fabulous music video for Contact with the divine BB that I couldn’t resist sharing. It’s taken from her 1968 French television special Spécial Bardot. In the clip Bardot’s wearing a fantastic dress designed by Paco Rabanne and she looks like she just stepped off the set of Barbarella.

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Filmmaking & Politics in 1968

by Kimberly Lindbergs | September 26, 2008

Categories | Directors, French Cinema, Documentaries, Jean-Luc Godard, 1968

The following four videos make up a fascinating 40 min. film by D.A. Pennebaker called Two American Audiences: La Chinoise - A Film in the Making. It chronicles a meeting that took place in 1968 between director Jean-Luc Godard and NYU film students who discuss Godard’s film La Chinoise, filmmaking and politics.

Godard’s La Chinoise (1967) was released by Koch Lorber on DVD earlier this year.

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DVD of the Week: Alain Delon - Five Film Collection

by Kimberly Lindbergs | March 28, 2008

Categories | Movie Reviews, French Cinema, DVD of the Week, Alain Delon

A smokin hot Alain Delon in La Piscine (1970)

This week Lion’s Gate is releasing their Alain Delon - Five Film Collection, which features the incredibly handsome and talented French actor starring in Diaboliquement vôtre (aka Diabolically Yours, 1967), La Piscine (aka The Swimming Pool, 1970), La Veuve Couderc (aka The Widow Couderc, 1974), Le Gitan (aka The Gypsy, 1975) and Notre Histoire (aka Separate Rooms, 1984). I haven’t had the chance to pick up the collection myself so I can’t personally comment on the quality of the new Lion’s Gate set, but according to other sources this 3 Disc DVD collection presents all 5 films in widescreen with English subtitles.

I’ve only previously had the opportunity to see Julien Duvivier’s Diaboliquement vôtre, which I reviewed last year and Jacques Deray’s La Piscine, which features Delon along with the lovely actress Romy Schinder who he had a longtime relationship with off screen, as well as the British actress and pop icon Jane Birkin and the talented actor Maurice Ronet who had previously starred with Alain Delon in René Clément’s brilliant 1960 thriller Purple Noon. Both Diaboliquement vôtre and La Piscine are highly recommended if you enjoy suspenseful French thrillers.

From the films that I haven’t seen, I’m most looking forward to watching La Veuve Couderc, which was directed by Pierre Granier-Deferre and costars the wonderful French actress Simone Signoret. Once I get the opportunity to see the film I hope to share my thoughts about it here.

The Alain Delon - Five Film Collection can currently be purchased at Amazon for $29.99 and that’s only about $6 per movies. You can also find the films available for rent at Greencine and Netflix.

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Bits & Pieces

by Kimberly Lindbergs | March 22, 2008

Categories | News, Books, Rants & Raves, French Cinema, Blogathons, William Klein

Elke Sommer and her bunny want to wish everyone
a happy holiday weekend!

Real world responsibilities, job hunting and a bad cold have been interfering with my writing and blog updates lately. I’m also going on a brief vacation tomorrow and I won’t return until Tuesday next week, but by then I should be feeling a lot better and you can expect me to start regularly updating Cinebeats again.

During my downtime I have been catching up on some reading. I got some interesting books for Christmas last year including Geoffrey Nowell-Smith’s Making Waves: New Cinemas of the 1960s and Amos Vogel’s Film as a Subversive Art, which have been keeping me busy. Both books make for some fast, fun and fascinating reading.

I’ve also been thinking a lot about how I write about film and the way I approach viewing and analyzing the movies I watch after the film critic Adrian Martin was kind enough to consider my blog in a brief piece he wrote for de Filmkrant which you can read here:

- World Wide Angle - March 2008, nr 297

I’ve admired Adrian Martin for awhile and I find his writing and interviews very inspiring so I was extremely surprised and deeply flattered when Girish kindly pointed out Adrian’s piece in his own blog, which led to an interesting conversation there. I tend to get a little intimidated by all the wonderful and extremely thoughtful conversations that take place at Girish’s blog and I get nervous about jumping into the fray, but Girish has always made me feel very welcome there even when the other commentators occasionally seem to be twisting themselves up in small knots trying to talk around me and over me

I must also say that I’m really happy to be considered an ‘enthusiast’ by Adrian since it was really my love, appreciation and interest in unusual films that have often been maligned in the past or overlooked such as Boom! and Blood and Roses, which really motivated me to start writing about cinema and I find the original Cahiers du cinéma writers extremely inspirational.

Before I disappear for a few days, I thought I’d share a few links to various things of possible interest…

My buddy Kate has started her own film blog called Love Train for the Tenebrous Empire. If you enjoy horror films and unusual subgenres like nunsploitation, please stop by Kate’s blog and tell her I sent ya!
- Love Train for the Tenebrous Empire

Ferdy on Films is putting together a blogathon May 4th - 10th called Invitation to the Dance that will focus on various forms of dance found in films. I have a serious weakness for musicals that makes me drop everything I’m doing and watch them if I ever come across one playing on TV so naturally I plan on excepting Marilyn’s invitation and I hope other film bloggers will as well!
- Invitation to the Dance Movie Blogathon

And last but not least, Tim Lucas recently offered up a sneak peek at the upcoming Criterion - Eclipse 3 Disc DVD Box Set of The Delirious Fictions of William Klein, which has me super excited since it promises to be one of this years most interesting DVD releases. I’ve only seen Klein’s wonderfully surreal and fantastic film Who Are You, Polly Maggoo? (Qui êtes-vous, Polly Maggoo?, 1966) myself, but the print I saw many years ago was from a horrible multi-generation VHS tape that was barely watchable so I’m really looking forward to this release. Now I’ll finally be able to enjoy Who Are You, Polly Maggoo? in all its glorious widescreen splendor, along with two of Klein’s other films that I haven’t had the opportunity to see yet.
- The Delirious Fictions of William Klein

You can experience a little bit of William’s Klein’s magic in the following clip from his film Who Are You, Polly Maggoo? (1966)

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