Hooked to the Silver Screen

by Kimberly Lindbergs | February 19, 2011

Categories | News, Blogathons, Interviews, Movie Morlocks, TCM, David Bowie

David Bowie in The Man Who Fell to Earth (1976)

I got knocked flat by a nasty flu bug that has kept me in bed all week. I’m still on the mend and not fully recovered but I wanted to post a quick update and compile some links to a few things of possible interest.

First up, here’s a couple of links to my latest posts at The Movie Morlocks. The first is for an interview I did with local artist Nicolas Caesar who will be appearing on Creepy KOFY Movie Time tonight at 11PM, February 19th. Creepy KOFY Movie Time is a local Northern California TV program that airs every Saturday night on KOFY TV20 or CABLE13 and they play classic horror films as well as cult favorites. Nicolas will be chatting about the Herschell Gordon Lewis’ movie Color Me Blood Red (1965) on this week’s show along with the program’s regular hosts Balrok and No Name.
- My KOFY Break with Nicolas Caesar @ TCM’s Classic Movie Blog

This week I almost didn’t post anything at The Movie Morlocks but at the last minute I managed to (roughly) finish a little something that I had been working on for weeks called “Life On Mars” that borrows it’s title from one of my favorite David Bowie songs. It’s a personal post that takes a look back at my earliest attempts to write film reviews for my school newspaper. If you want to know what films I was watching and writing about at age 14 you can find a couple examples I scanned from old school newspapers. I had planned on writing more in-depth on the topic but I couldn’t find any other issues of my school newspaper to scan and I was getting a little too self-reflective for my own good. I didn’t want to bore Movie Morlock readers with my self-indulgent trip down memory lane so I tried to make my post as brief as possible. Unfortunately my fever didn’t help matters much and I’m sure I rambled a bit more than I had intended. But movies have always been an important part of my life and it’s fun to look back at my early reviews and remember how I started seeing films differently at age 14.
- Life On Mars @ TCM’s Classic Movie Blog

Martin Kosleck and Rondo Hatton in House of Horrors (1946)

The Rondo Awards were announced this week and although Cinebeats wasn’t nominated for anything this year, a few of my favorite bloggers were including Stacie Ponder of Final Girl, Pierre Fournier of Frankensteinia, August Ragone of The Good, the Bad and the Godzilla, Curt Purcell of Groovy Age of Horror and the esteemed Tim Lucas of Video Watchblog who also has lots of other nominations for various projects he’s worked on including his magazine Video Watchdog. If you do vote this year please consider their fine contributions to the blogosphere.
- The Rondo Hatton Awards

In other news, the For the Love of Film Noir Blogathon started on Valentine’s Day, February 14th and runs until February 21st. Some of my fellow Morlocks expressed interest in participating so they took up the gauntlet for TCM. I’ve linked to a couple of their contributions below and posted a great video clip for the blogathon compiled by another one of my favorite bloggers, Greg of Cinema Styles. If I wasn’t feeling like death was at my door I might pull something together myself but please give these other posts a look.
- For the Love of Film Noir Blogathon: THE STRANGER ON THE THIRD FLOOR @ TCM’s Classic Movie Blog
- For the Love of Film (Noir) Blog-A-Thon: The Sound of Fury (1950) & TCM’s Classic Movie Blog

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Talking With Trina

by Kimberly Lindbergs | June 17, 2010

Categories | Movie Reviews, Spies & Secret Agents, Comedies, Actresses, Blaxploitation, Interviews, TCM

Trina Parks in Diamonds Are Forever (1971)

I recently had the opportunity to interview the actress Trina Parks who appeared in the James Bond film Diamonds Are Forever (1971) and the fascinating blaxploitation movie Darktown Strutters (1975). Trina was really fun to talk to and I learned a lot about her during our exchange. You can read my interview with Trina Parks over at TCM’s Movie Morlocks Blog. Darktown Strutters will be playing on TCM Underground tomorrow night (June 18th) and if you haven’t had the opportunity to see the movie yet I highly recommend giving it a look. I guarantee that it’s unlike anything you’ve seen before.

- Talking with Trina @ TCM’s Classic Movie Blog

Recommended Links:
- Super Sisters On Cycles! - My review of Darktown Strutters (1975).
- Trina Parks Tribute

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10 Questions with Shane Briant

by Kimberly Lindbergs | May 4, 2009

Categories | Books, Actors, British Cinema, Hammer Horror, Interviews, Featured, Gay Interest, Shane Briant

The talented British’ born actor Shane Briant made his screen debut in the Hammer horror film Demons of the Mind. Since then he’s gone on to appear in over 60 films and television productions including Straight On Till Morning (1972), The Picture of Dorian Gray (1973), The Mackintosh Man (1973), Captain Kronos: Vampire Hunter (1974), Frankenstein and the Monster from Hell (1974), The Naked Civil Servant (1975) and Lady Chatterley’s Lover (1981). Currently Briant is focusing his attention on writing and he has recently completed a psychological thriller called Worst Nightmares that will be released in the US on May 12th. I’ve admired his film work for many years so I was thrilled to get the opportunity to ask Shane Briant a few questions via an email exchange about his early movies and current writing projects.

Cinebeats: Your first starring role was in the 1972 Hammer horror film Demons of the Mind directed by Peter Sykes where you played the disturbed brother of Gillian Hills. Thanks to the impressive cast, which also included Manfred Mann vocalist Paul Jones, Demons of the Mind seemed to be an early attempt by Hammer to try and attract a younger and possibly more “happening” audience. I personally think the film is very effective and rather daring for its time due to its subject matter. How did you get the part?

Shane Briant: I’d just finished playing the role of a ‘damaged’ youth in Children of the Wolf at the Apollo Theatre in London’s West End with Yvonne Mitchell and Sheelagh Cullen. It was a three-gander. I was nominated for the London Theatre Critics Award for Best Newcomer that year. So in some respects I was ‘hot’. That’s when Michael Carreras signed me to a two-year contract with Hammer films. Demons of the Mind was the first film.

Cinebeats: After making Demons of the Mind you starred in the unusual Hammer thriller Straight On Till Morning, which also featured the accomplished British actress Rita Tushingham and was directed by the talented filmmaker Peter Collinson. Your performance in the film as a deeply disturbed young man is very impressive. I suspect that it was a demanding role. Did you do any research in order to flesh out your character?

Shane Briant: There wasn’t any research I could do. If I’d been a dentist I would have researched how dentists work but being a psychopath, there’s not much specific info. So I just tried to be normal and yet appear weird. Maybe that’s me?

Cinebeats: In 1973 you played Dorian Gray in a made-for-TV version of Oscar Wilde’s classic story The Picture of Dorian Gray. It’s one of my favorite adaptations and you did a terrific job of capturing the decadent elegance found in Wilde’s character. You seemed to really enjoy yourself in that role. Was it a challenge to play such a notable and notorious character like Dorian Gray?

Shane Briant: Not really since there had only been one version before me – that of Hurd Hatfield. He actually came to visit us on set. He was pretty cool. Not overly friendly. What I thought might be interesting is to get away from Hurd’s performance. It had very obvious gay overtones. Though I kept a bit of the bisexual qualities of the character in, I think mine was very different from his. The script was very loosely based on Wilde’s book anyway so I stuck to the script as much as possible. Glenn Jordan is a master director. He’s won at least 7 Emmy’s – that says it all. Nigel Davenport was the most fun actor I have ever worked with. Hugely funny and a great technician.

Cinebeats: After making The Picture of Dorian Gray you took a break from horror and appeared in John Huston’s 1973 spy thriller The Makintosh Man alongside James Mason, Ian Bannen, Dominique Sanda and the recently deceased Paul Newman. Your role is rather small and I wish you had been given a bit more to do in the film, but you’re very memorable as James Mason’s evil henchman Cox. Can you tell me a little bit about your experiences working with the Oscar winning director as well as the impressive cast on that film?

Shane Briant: I had a much larger part initially. But when I arrived on set in Malta I was told they were now re-writing the script day by day and I’d get the ‘pages’ at midnight every night. This was a huge disappointment to me. The fact of the matter was that Huston had just made a film that was very special to him (Fat City) and The Mackintosh Man was, as far as every one of the stars (as well as Huston) was concerned, simply a money-spinner to be finished before Christmas so everyone could go on holiday. That’s why it was perhaps one of Paul Newman’s least spectacular films. Newman was a delightful man. Very friendly, very real and modest. He always ate with the crew and when we arrived he got up from his lunch and walked to the three of us English actors, held out his hand and said “Hi. I’m Paul Newman. Welcome to the set." Playing scenes with him was wonderful. Oh, and….his eyes were spectacular. When he looked you in the eyes, you become a rabbit looking at a mongoose. I was intensely sad to hear he died. His charity work was wonderful. I got to know James Mason a bit, but not Sanda.

Cinebeats: You returned to Hammer studios again a year later and made two more movies with them. The terrific Terrence Fisher film Frankenstein and the Monster from Hell with Peter Cushing and the excellent vampire thriller Captain Kronos - Vampire Hunter. You were very good in both films and I’ve read interviews where you’ve mentioned that playing Simon Helder in Frankenstein and the Monster from Hell was your favorite Hammer role. It seems like you were destined to become the next big Hammer star following in the footsteps of Peter Cushing and Christopher Lee. I suspect that you would have if the studio hadn’t decided to slow it’s output down to a crawl after 1974 and finally stopped producing films altogether in 1979. Did you have any desire to continue making films with Hammer?

Shane Briant: I did Captain Kronos because there was nothing else for me to do at Hammer and they’d paid for a two-year contract. It wasn’t, I think, a very good film, and I had very little to do in it. It was around then that Hammer started to wind down as a force in the industry so I went and did other things. I wouldn’t have wanted to do just horror films anyway. Mind you, I wouldn’t mind doing another one now – that’d be fun!

Cinebeats: At the end of the ‘70s you seemed to be working non-stop and appeared in many critically acclaimed television productions including the controversial 1975 film adaptation of Quentin Crisp’s autobiography The Naked Civil Servant. Quentin Crisp is a fascinating character and one of the most well known gay icons in Britain. Britain, like most of the world, wasn’t particularly gay friendly in 1975 and even today there’s still a lot of controversy surrounding gay rights. I personally think The Naked Civil Servant is impressive for the way it celebrates individuality and uses humor to examine the effects of discrimination. What prompted you to take on the flamboyant role of Norma in The Naked Civil Servant and was it a difficult film to make?

Shane Briant: I was offered a cameo by Jack Gold. I knew all my scenes would be with John Hurt. Of course I did it. It was fun to really go over the top. Gold actually insisted we did, but the other two ‘girls’ didn’t go as far as Jack wanted. I just let go and had fun. John was great to work with – inspirational. What an actor!

Cinebeats: You’ve continued to act and have appeared in a lot of worthwhile movies including Lady Chatterley’s Lover (1981), Hawk the Slayer (1980), The Lighthorsemen (1987) Grievous Bodily Harm (1988) and Till There Was You (1990) as well as many popular television productions. Are there any performances that you’re particularly proud of?

Shane Briant: The Picture of Dorian Gray and Lady Chatterley’s Lover I think. And quite a lot of the TV stuff over the years. Oh and Farscape Episode: Eat Me (2001).

Cinebeats: You currently seem to be focusing a lot of your attention on writing. Besides fiction you recently wrote the script for the award winning short film A Message from Fallujah (2005), which you also appeared in. When did you start writing and do you find it more rewarding than acting?

Shane Briant: I started writing as an exercise in 1994 when I was contracted to go to Europe on a children’s TV series called Mission Top Secret. I’d been changing my scripts for thirty years so I thought why not see if you can write a novel. So I wrote one day by day as we made our way around Europe. The story started in Spain, moved to Switzerland, then went to Germany, France and finally Poland. I made up a story that fitted. Simple. When I got back I showed it to an agent who showed it to Harper Collins who just happened to be looking for some home grown spy novels. I was lucky. I’ve never stopped. Worst Nightmares is my debut in America. It’s my best work and very dark and thrilling. Not many people who have read it haven’t been taken aback by it’s style. It’s VERY different to other books. Think ‘Dorian Gray’ meets ‘Hannibal Lector’.

Cinebeats: I haven’t had the opportunity to read Worst Nightmares, but the premise sounds intriguing. According to the book’s official site worstnightmares.net it involves a "disturbed killer known as the Dream Healer who seduces his victims into revealing their deepest fears, and then kills them with this knowledge." How did you come up with the idea for the book and was it tough to write?

Shane Briant: I had often wondered how it’s possible that ordinary people will share their most intimate secrets with total strangers on the Internet. They will go to dating sites and reveal all their most secret fears and aspirations. I always thought this very dangerous. After all, what were the people the other end of the cyber beam actually like? So I invented the Dream Healer. People with terrifying nightmares go to his frightening website in the belief that he will cure them of their phobias. Instead he tracks down these unfortunate people and abducts them. Then he realizes their worst nightmares in real time. Amped up a hundred fold. Scary!

Cinebeats: Do you have any writing or acting plans for the future that you’d like to share? Any upcoming projects that you’re particularly excited about?

Shane Briant: I’ve just finished writing the sequel. It’s called Worst Nightmares 2 – The Game. It continues from the last page of Worst Nightmares. I can’t reveal much because your readers won’t yet have read Worst Nightmares but it’s even darker and more….unusual, I think.

Shane Briant will be signing copies of Worst Nightmares later this month in New York at the Book Expo America (BEA). He also blogs and can be found on Twitter.

For more information about Shane Briant’s latest book please visit worstnightmares.net. I also recommend reading Holger Haase’s review of Worst Nightmares at the Hammer and Beyond blog. And you can find more information about Shane Briant at this informative tribute site: Shane Briant.

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Behind the Blog

by Kimberly Lindbergs | May 14, 2008

Categories | News, Interviews

Me in the ’70s

Early last month Nick Dawson kindly asked me to take part in an interview for the terrific FilmInFocus.com site. The interview is now available online as their current Behind the Blog feature. In the rather lengthy interview I talk about why I enjoy writing about movies and how I got interested in blogging. I was extremely surprised that Nick asked me to take part in an interview and I’m grateful that he finds my blog worth reading.

- Behind the Blog: Kimberly Lindbergs of Cinebeats

Some observant readers may notice that the interview took place before there was so much navel-gazing going on among my fellow film bloggers. I mention some blogs that have since gone on hiatus in the interview and I don’t address the fact that due to staff cuts I’m no longer writing for Cinedelica.com.

My blog has been suffering a bit lately due to the fact that I’ve got a lot of personal things I’m dealing with at the moment, including hunting for freelance writing and graphic/web design work, which is extremely hard to come by. The economy is in deep trouble and like many fine folks working in all kinds of professions, I’m having a hard time trying to pay my bills. Hopefully I’ll have more free time for film writing soon but I wanted to mention that last month Cinebeats celebrated its second anniversary. I’m extremely grateful that 1000+ visitors take the time to stop by Cinebeats every day. This is not a vanity project and I don’t expect to get rich writing about movies. I write about movies I like simply because I love talking about the films I enjoy.

Some people play golf to relax and others like to garden or collect stamps. When I’m not taking photos and making art, I like to watch movies and write about them. It brings me a lot of joy when I get an email from someone telling me they’ve watched a film I’ve written about and they appreciate my recommendations. 20 years ago it would have been impossible for me to freely self-publish my thoughts about films and share them with other film enthusiasts all over the world so easily and I’m thankful for the opportunities that blogging has given me. I’ve been writing on and off for 25 years and blogging has been the most rewarding writing experience I’ve had.

I’m also thankful that my fellow film bloggers have been so gracious and encouraging. I’m especially thankful to Dennis Cozzalio who runs the terrific and always entertaining Sergio Leone and the Infield Fly Rule, Brian Darr and his resourceful and informative Hell on Frisco Bay blog and Girish Shambu whose blog has probably given me more delicious food for thought in the past couple of years than any other film blog that I can think of. Dennis, Brian and Girish were some of the first people who took the time to comment on my blog and exchange links back in 2006. Their generosity of spirit and good nature have really helped motivate me to keep blogging and I can’t thank them enough for their support. Here’s to you boys and to another fun and fascinating year of film blogging!

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10 Questions with Tom Lisanti

by Kimberly Lindbergs | November 7, 2007

Categories | Books, Actresses, Cinedelica, Interviews

Book author Tom Lisanti was kind enough to answer some questions for me over at Cinedelica about his new book Glamour Girls of Sixties Hollywood, which I reviewed here over the weekend.

The interview is well worth reading if you’re a fan of sixties-era film starlets and Tom talks a lot about his upcoming book projects such as the Gail Gerber memoir Strange Love: Terry Southern, Hollywood, and Me.

Tom also offers up some great tips for winter viewing that will take the chill off and help you beat the winter weather blues.

I hope Cinebeats’ readers will stop by Cinedelica and check out the interview!

- 10 Question with Tom Lisanti

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10 Questions with Tim Lucas

by Kimberly Lindbergs | October 8, 2007

Categories | News, Books, Italian Cinema, Cinedelica, Interviews, Mario Bava

Over at Cinedelica we’re starting a new feature today called “10 Questions” and my first interviewee is film critic and author Tim Lucas.

I’ve been reading Tim’s film criticism since first coming across it in magazines like Fangoria and Gorezone in the ’80s when I was a teenager. There are few critics that have inspired and influenced my own writing more then Tim, so I was really happy to get the opportunity to ask him a few questions about his new book Mario Bava - All the Colors of the Dark. Tim’s enthusiastic support of Bava’s films over the years has definitely colored my own view of them, as well as my love for Italian genre films in general.

Some of the information in our brief exchange might be familiar to regular readers of his Bava Book Blog and anyone who owns the book, but if you’re curious about Mario Bava - All the Colors of the Dark and the films of Mario Bava in general, you might find my brief Q & A with Tim Lucas an interesting read.

- 10 Questions with Tim Lucas

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