The October 1968 issue of ABC Film Review features a great piece by Philip Bradford about the making of Jack Cardiff’s Girl On A Motorcycle. In the article the movie’s two stars (Marianne Faithfull and Alain Delon) briefly discuss what it was like to work with one another on the film. I thought it would be fun to share their quotes here along with some lovely still shots of them together on the set. I assume that most (if not all) of these photographs were taken by Jack Cardiff himself but if anyone knows otherwise, please feel free to let me know.
Alain Delon on Marianne Faithfull:
"She is a happening all to herself. She is the type of girl men fought dragons for in mythology, the type that duels have been fought over."
Marianne Faithfull on Alain Delon:
"We think alike in a lot of ways and he’s a totally dedicated actor. He helped me a lot through his ability to ignore outside things when he’s working. You have to keep cool when you’re filming. Shooting intimate love scences with swarms of technicians around you - for that you really need to learn to concentrate. You have to shut off everyone else and make a world in which there are only two people."
It’s also worth noting that Marianne Faithfull isn’t afraid to call Alain Delon a "cunt" when the opportunity presents itself. For her 2002 album Kissin’ Time Faithfull recorded a beautiful song written with Dave Stewart called "Song For Nico" that is a tribute to the German songstress and one time member of The Velvet Underground. In the song Faithfull takes a well-deserved jab at Delon for the neglectful way he treated Nico and the child they had together in 1962. The curious can listen to the song on Youtube if you follow this link.
In a unexpected coincidence the newest issue of Cinema Retro has just been published and it features a terrific in-depth article on Jack Cardiff’s 1968 film Girl On a Motorcycle by Dean Brierly. It’s definitely one of the most detailed pieces about Cardiff’s film that I’ve come across and it contains many beautiful images from the movie as well. After Cardiff passed away recently I was surprised by the lack of attention given to the film’s he directed in the numerous obits I read so it’s great to see Girl On a Motorcycle getting some much deserved critical consideration and praise. If you’re a fan of the film or just interested in the movie and Cardifff’s directing efforts, the latest issue of Cinema Retro is well worth picking up!
The latest issue also features great interviews with the American actors James Caan, Ernest Borgnine and Harry Northup as well as actress Karen Black, articles on various Michael Winner films including the great Charles Bronson vehicle Chato’s Land (1972) and one of my favorite horror films from the ’70s, The Sentinel (1977). You’ll also find a brief piece about the early films made by Clint Eastwood (The Beguiled, Play Misty for Me and Breezy), which I enjoyed reading since his early horror films are often overlooked and I believe that The Beguiled and Play Misty for Me are two of Clint Eastwood’s best movies.
You’ll find a lot more worthwhile reading in the new issue of Cinema Retro so head on over to the Cinema Retro site where you can order yourself a copy of issue #14 online or subscribe to the magazine: Cinema Retro
All of my own posts related to The Girl On a Motorcycle can be accessed here and I’ll try and share a bit more about the film before it’s upcoming DVD re-release on May 19th.
There were a lot of beautiful posters designed for Jack Cardiff’s film when it was originally released. Unfortunately I don’t know the names of all the artists who created these posters and ads for The Girl On a Motorcycle (1968), but I hope you enjoy this collection of images. I had to restore and touch-up many of the posters so its been somewhat of a labor of love for me to share these, but well worth the effort. Enjoy!
Poster art from the British release of the film.
Poster art from the French release of the film.
A second poster design from the French release of the film.
French poster art for the 1996 re-release of the film.
Poster art from the Italian release of the film.
Poster art for the Czech release of the film.
Poster art for the Yugoslavian release of the film.
Poster art for the Argentine release of the film.
Poster art for the Turkish release of the film.
Poster art for the Japanese release of the film.
Another film poster design from Japan.
Two very different posters for the original American release of the film.
Another poster from the 1968 American release of the film.
American film poster for the film’s reissue with the title Naked Under Leather.
An original ad that appeared in American newspapers and magazines in 1968.
More on Jack Cardiff and his film The Girl On a Motorcycle can be found here: Some Thoughts on Jack Cardiff 1914-2009

The talented director and cinematographer Jack Cardiff has passed away at the age of 94. As the tributes start to roll out from various news sites and film blogs its become clear to me that most people regard Jack Cardiff as a great cinematographer and have little regard or knowledge of his directing contributions, which is a shame. Cardiff was a brilliant photographer and his groundbreaking contributions to cinematography are well worth celebrating. But his impressive work as a director on films like the wonderful D.H. Lawrence adaptation Sons and Lovers (1960), the entertaining spy thriller The Liquidator (1965), the excellent erotic drama The Girl on a Motorcycle (1968) and the effective horror film The Mutations (1974) is also worthy of applause.
My favorite Cardiff film is The Girl on a Motorcycle (on my list of Favorite Films from 1968), which starred Marianne Faithfull and Alain Delon as two motorcycle obsessed lovers named Rebecca and Daniel. Jack Cardiff directed, photographed and edited the film, and it holds a special place in my heart for numerous reasons. First and foremost is the ingenious casting. Marianne Faithfull and Alain Delon were two of the most beautiful, transgressive and fascinating pop culture icons of the ’60s and teaming them up in The Girl on a Motorcycle was a brilliant idea. They’re incredibly sexy together in the film and Cardiff did a remarkable job of capturing their youthful beauty as well as the erotic heat generated by his two stars.
Jack Cardiff said of filming Marianne Faithfull, “Never since I first saw Marilyn Monroe through the camera lens have I seen such irresistible beauty. To focus on her is to focus the camera on your innermost heart.”
This touching observation is made crystal clear when you watch the film. Cardiff’s camera was clearly infatuated with Marianne Faithfull and there’s an intimacy between the director and the actress on display in The Girl on a Motorcycle that is impossible to overlook.
Cardiff’s penetrating exploration into the mind, heart and body of Marianne Faithfull’s Rebecca is loaded with impressive visual cues and mesmerizing camera effects. The psychedelic edginess of Girl on a Motorcycle may seem somewhat dated now and many people will probably find the movie unworthy of all my praise, but Cardiff’s film is still effective if you’re willing and able to give in to its many pleasures. The sensual nature of the film’s plot combined with Cardiff’s mesmerizing photography and experimental editing make The Girl on a Motorcycle a truly unforgettable film and one of the most fascinating and genuinely sexy movies to come out of Britain in the late ’60s.
In a 1968 interview with Philip Bradford, Jack Cardiff called The Girl on a Motorcycle the only film that was, “truly, entirely my own.” He added that, “On other films in the past I have often been prevented from shooting a picture entirely as I may have wished. But this time I worked on the script, have directed and edited, and have been responsible for the choice of music. I am delighted to have had this total freedom.”
It’s a shame that Jack Cardiff didn’t get that kind of opportunity more often because his directorial efforts showcase the work of an extremely talented man with a painter’s eye and literary ambitions who was willing to take risks and buck convention. We need more film makers like Jack Cardiff.
In a strange coincidence I was planning to devote an entire week to The Girl on a Motorcycle next month because the film is being re-released on DVD by Redemption Films. Instead of waiting until May, I’ve decided to go ahead and start posting some of The Girl on a Motorcycle material I was planning on sharing. Keep your eye on Cinebeats in the coming days for more posts about Jack Cardiff’s film.
Recommended Links:
- BFI: A Tribute to Jack Cardiff OBE
- Gallery Chiaroscuro, the official website for the Jack Cardiff Collection
- Internet Encyclopedia of Cinematographers: Jack Cardiff
- Jack Cardiff at IMDB.com
- David Hudson’s collection of Jack Cardiff Obits at IFC.com
My tribute to the film continues here.

