
It’s that time again - Oscar night is here! And for the third year in a row I’ll be “live tweeting” the show. If you want to follow along or join in the fun you can find me on Twitter here.
Update 2/28: I wanted to update this with some more thoughts about last nights Oscar show but I managed to erase my previous post. Que Sera, Sera! I will mention again that I’m especially happy that Colin Firth won Best Actor last night. He should have won last year for A Single Man but his performance as the stammering king was mighty impressive. He’s a terrific actor who has been delivering consistently great work in films for decades such as Another Country (1984), A Month in the Country (1987), Apartment Zero (1988), Trauma (2004), etc.

Oscar night will soon be here and just like last year I plan on “Tweeting Live” during the show. If you want read my off-the cuff remarks during the Academy Awards you can follow my Oscar commentary on Twitter or read my Twitter updates as they appear here on my blog under “Twitter Updates.”
There are only a couple of awards that I’m really excited about this year. Out of the movies that I’ve seen that are nominated for Best Picture I think that A Serious Man is probably the best of the bunch but I’ll be rooting for Inglourious Basterds to win for one simple reason; I hope that the cast will be allowed on stage and I’ll get a good view of Michael Fassbender in a tux. I realize that’s a rather silly reason for wanting Inglourious Basterds to win Best Picture but I don’t watch the Oscars for much more than fun and pleasure. Seeing Michael Fassbender dressed to the nines will probably be the best moment of the Academy Awards as far as I’m concerned.
I’d also like to see Colin Firth or Jeff Bridges take home the Best Actor award. I’ve liked both actors for a long time and neither of them has won an Oscar before. I haven’t seen either of the films they appeared in but I really want to see A Single Man since the clips that I’ve seen look terrific. I also really like Christopher Plummer so I’ll be rooting for him to win Best Supporting Actor even though the odds are not in his favor. Christoph Waltz will probably take home the award for his role in Inglourious Basterds and I thought he was really good in the film so I can’t complain if he wins. I would especially like to see the Oscar for Costume Design go to Janet Patterson for Bright Star. I think it’s a shame that Bright Star didn’t get more nominations since I would have liked to have seen Jane Campion nominated for Best Director but it would be nice if the film took home one award.
And finally, if you’re throwing an Oscar party or just plan to enjoy a nice evening at home with family and need some last minute party tips or snack suggestions check out my latest update at Mid-Century Living. You’ll find links to lots of helpful sites that offer fun ideas for Oscar parties including cocktails and hors d’oeuvre recipes.
On with the show!
March 8th Update: As is often the case, I thought last night’s Oscar show was dull and predictable but I watched, had fun “Tweeting Live” and hoped for the best. The two hosts never really made me laugh. Sadly, even the montages were poorly executed. I didn’t hear any drunken speeches but I did see lots of bad dancing. The only Basterds in attendance were Oscar winner Christoph Waltz along with Eli Roth and Melanie Laurent. Apparently Michael Fassbender’s seat was given to Miley Cyrus. Even the red carpet parade was unrewarding. The fashion? Very ’80s! Lots of bright colors and ruffles. Maybe that was in support of the John Hughes’ tribute? Jack Cardiff, Jennifer Jones and Karl Malden died in 2009 but they make time for a John Hughes’ tribute? I just don’t get it. At least they let Roger Corman and Lauren Bacall attend even though they didn’t receive their Oscars on stage. Two awful things from last year were repeated. Someone sang over the memorial tribute (this time it was James Taylor - last year it was Queen Latifah) and before the best actor and actress’ awards were handed out there were some awkward speeches made by their costars. At least last year the awkward speeches were made by acting legends that I cared about even if they had nothing to do with the film. I’m not a Kathryn Bigelow fan (she’s made one movie I like - Near Dark) and I wasn’t overly impressed with The Hurt Locker but it was nice to see a woman finally receive the Best Director award. Highlights of the evening for me? Seeing Barbara Streisand deliver the Best Directer award to Bigelow and Jeff Bridges’ Best Actor win. Funniest moment? The bit between Robert Downey Jr. & Tina Fey before they handed out the Best Original Screenplay Oscar. Best dressed guy in the audience? Colin Firth.

I’ve got some exciting news to share! I was recently asked to join the Movie Morlocks team and I’m officially blogging for TCM (Turner Classic Movies) at http://moviemorlocks.com now. I’m extremely grateful for the opportunity and I couldn’t be more excited about it. It will give me the chance to spread my wings a bit and write about older films that I love but don’t often cover here at Cinebeats. I’ll be posting there once a week but I’ll still be updating Cinebeats whenever I can.![]()
My recent move has been occupying most of my time lately but like a lot of movie lovers I’ve got the Oscars on my mind. In my first post for the Movie Morlocks I discuss why I enjoy the annual Academy Awards show and I review Robert Hofler’s new book Party Animals: A Hollywood Tale of Sex, Drugs, and Rock ‘n’ Roll Starring the Fabulous Allan Carr. Carr produced the disastrous 1989 Oscar telecast and if you want to know more you’re going to have to visit TCM’s Movie Morlocks blog.
Last year I had a lot of fun “Live Tweeting” the Oscars on Twitter so I’m going to try and do it again this year. I’m living out of boxes so life’s a little chaotic at the moment but I’ll update Cinebeats before the 82nd Academy Awards with more details. Sunday promises to be an interesting night!


One of my favorite filmmakers will be getting an Honorary Oscar this year! Surprising news came out of Hollywood this morning when the Academy Of Motion Picture Arts and Sciences announced that Roger Corman, along with actress Lauren Bacall and cinematographer Gordon Willis will all be recipients of a much deserved Lifetime Achievement Award.
Disappointingly, the Academy has decided not to televise the event and viewers will no longer be able to see these people receive their Lifetime Achievement Awards. One of the main reasons I watch the Oscars every year is to see the Lifetime Achievement Awards handed out to previously neglected artists so I find this turn of events extremely disappointing. I guess the Academy plans to fill airtime with more terrible musical numbers? Who knows. But I suspect that they’ll be loosing lots of viewers who get the most enjoyment from the montage sequences and hope for an opportunity to see old Hollywood mix with new Hollywood. Sadly it seems that old Hollywood isn’t worthy of much television time anymore.
Corman is no stranger to getting Awards. He has his own star on Hollywood’s Walk of Fame and in 1996 he was honored by the Los Angeles Film Critics Association with a Career Achievement Award just to name a few of his career accomplishments, but this will be Roger Corman’s first Oscar.
Congratulations Mr. Corman!
News Links:
- Offical Press Release from the Academy
- The Los Angeles Times Story
- The New York Times Story

In my last post I mentioned that I had recently started “Twittering” so I’ve decided to try and “Live Tweet” the Oscars tonight starting at 5 pm Pacific time. Feel free to join in the fun! You can find my latest Tweets posted on my Cinebeats Twitter Profile. Expect to read lots of off-the-cuff remarks that I’ll probably regret sharing later.
Some Links:
- The Official Academy of Motion Picture Arts Site
- The Official 81st Oscar Site
- David Hudson’s Collection of Award Related Links for IFC Daily
Feb. 23 Update:
As is often the case, the Oscars were rather dull and most of the musical numbers dreadful. I thought Hugh Jackman was an awful host and the worst moment came when Queen Latifah sang a song through the “dead people” montage that happens every year. Lots of people were left out of it as well. I was also really disappointed that Mickey Rourke didn’t win Best Actor. But besides all the typos, I did enjoy my experiment with “Twittering Live.”
The best surprise of the evening for me was when the Japanese actor Masahiro Motoki appeared on stage with director Yojiro Takita to except the award for Best Foreign Film. Masahiro Motoki is one of my favorite Japanese actors and he’s appeared in many of my favorite Japanese films made in the last 15 years such as Gonin (1995), The Mystery of Rampo (1994), The Bird People in China (1998), Gemini (1999) and even the Black Jack (2000-2001) live action television series based on Osamu Tezuka’s classic manga. I haven’t seen the Oscar winning film Departures yet, but it wasn’t expected to win last nights award for Best Foreign Film and before last night I had no idea that Masahiro Motoki was one of the film’s stars. When he took the stage I was shocked and extremely happy to see him there.

By request - a few more photos of Masahiro Motoki at this years Oscars ceremony. Plus a couple of bonus pics!

2009 is shaping up to be an unusual year and for the past couple of months I’ve been on a roller coaster ride that shows no signs of slowing down anytime soon. Between job losses, car accidents, births, deaths, watching my neighborhood disintegrate due to the crumbling economy and doing battle with some mysterious illness, I haven’t had much free time for blogging. With Cinebeats 3 year anniversary on the horizon, I’m also reevaluating how I blog and you can expect some changes here in the coming weeks and hopefully a few more updates. Please stay tuned! And now for a few thoughts on the current Award Season…
I’ve been Dardosed!
I want to say a big THANK YOU to all the bloggers who recently rewarded Cinebeats with the Premio Dardos Award! Those bloggers include Jonathan at Cinema Styles, Walrus at Film Walrus Reviews, Kate at Love Train for the Tenebrous Empire, Howard and Kevin at Destructible Man, Brian at Bubblegum Aesthetics and last but certainly not least, Colin, Jesse and Michael at Popcorn and Sticky Floors. If I’ve managed to forgot anyone, please let me know. Many of these fine folks wrote really nice things about Cinebeats and I’m super grateful for their kind words of support. I really can’t thank them all enough!
So what is the Premio Dardos Award? According to my fellow bloggers: “The Dardos Award is given for recognition of cultural, ethical, literary, and personal values transmitted in the form of creative and original writing. These stamps were created with the intention of promoting fraternization between bloggers, a way of showing affection and gratitude for work that adds value to the Web.”
While I find the “recognition of cultural, ethical, literary, and personal values transmitted in the form of creative and original writing” a little odd, I do truly appreciate “the intention of promoting fraternization between bloggers, a way of showing affection and gratitude for work that adds value to the Web” that this award represents. Unfortunately I think that every blogger I know has received this award already, so I don’t know of anyone off-hand that I can pass it on to. Instead, I highly recommend just visiting the fellow bloggers linked above who were kind enough to share their Dardos Award with Cinebeats. They’re all worthy recipients and I promise that you’ll discover some fine film writing and a few surprises when you visit their blogs. I’m proud to share my Dardos Award with them all!
Oscar Hopes
Like a lot of movie geeks, I look forward to the Oscars every year, even when I hate every movie that the Academy has nominated for a gold statue. The pomp, circumstance, movie montages and occasional unguarded moments of the stars and filmmakers keep me glued to the television. For the past two years I’ve written a little bit about the Oscars during the Award seaason so I didn’t want to let this year’s ceremony pass by without some mention of it. Frankly, I’ve been fairly annoyed by all the negative stuff I’ve been reading about this year’s nominees. Critic after critic has come out and announced this year to be one of the worst Academy Award races in years or even decades. Really? What rock have these critics been living under for the past 20-25 years? Where were these people when the Academy handed out Best Picture statues to Chicago in 2003? Shakespeare in Love in 1999? Forrest Gump in 1994? Dances with Wolves in 1990? and Driving Miss Daisy in 1989? Just to name a few Oscar winning films that I wish I could forget. I could go on and on, but I won’t. I will say that I’ve always been disappointed with most of the Academy’s choices, but to call 2008 the worst Oscar year in decades is just ludicrous to me.
I’m very happy to see that three modern director’s I admire - Danny Boyle, Gus Van Sant and David Fincher - were nominated for Best Director this year. None of them has ever won an Oscar, which is just plain bizarre when you look at the history of who has been gifted with this award in the past. And while I don’t personally have much desire to see The Curious Case of Benjamin Button and I happen to prefer Van Sant’s recent “Death Trilogy” to Milk, I am rooting for Danny Boyle’s heartfelt Bollywood homage to take home the gold on Sunday. How can any self-respecting film fan not get some enjoyment from a movie that includes a scene where a young Bollywood fan crawls through shit - literally and figuratively - to get Amitabh Bachchan’s autograph? I feel sorry for anyone who can’t appreciate that spectacular movie moment. Slumdog Millionaire is not Boyle’s best film. That would be Shallow Grave, Trainspotting or 28 Day’s Later. I even enjoyed Boyle’s vastly under appreciated Sunshine more than Slumdog, but I do think Danny Boyle’s made some of the best and most influential British films of the last 20 years and I’m happy that he’s finally being noticed by the Academy. Slumdog Millionaire is a movie with no big-name Hollywood stars that was destined to go straight to DVD, but it managed to escape that fate and become an Oscar contender. Cheers to you, Mr. Boyle! May you and your cast and crew go home with a truckload of Oscar gold on Sunday night.

And like every year, I’m also eager to see some Hollywood legends get their long awaited moments in the sun. I really hope Mickey Rourke walks away with the Best Actor award this year even if I haven’t had the opportunity to see The Wrestler yet. I was also happy to discover that Jerry Lewis will be given this year’s Jean Hersholt Humanitarian Award. I’ve been fond of Jerry Lewis since I was a kid. Movies like The Nutty Professor, Artists and Models, The Bellboy and Cinderfella always got watched in my home whenever they played on television and I spent a lot of hours trying to mimic Jerry’s goofy expressions in my bathroom mirror. The adults around me and the other kids my age thought I was crazy for liking Jerry Lewis. It wasn’t until someone mentioned that “the French also like Jerry Lewis” that I finally felt like I wasn’t alone in my admiration for the funny man and his movies. Speaking of the French….
Cloverfield Gets Its Due
I was starting to think that I was the only person in the world who considered Cloverfield to be one of the best movies released in 2008, but I was wrong. The nice folks over at Bright Lights After Dark informed me that the respected French critics at Cashiers du Cinema agreed with me and placed Cloverfield on their “10 Best Films of 2008″ list, so kudos to them! Unfortunately you’ll have to pay money if you want to read about all their selections this year, but you can find more info about subscriptions at the Cashiers website.
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Lastly, I thought I’d let anyone who might be interested in my random movie related babble that I recently signed up to Twitter after I received a few invites from other users. If you’re really bored you can find me there under “user name” Cinebeats.

I was sad to learn of Richard Widmark’s death this morning after returning from my vacation. He lived a long and productive life, but Widmark has long been one of my favorite actors and since I share my birthday with the man I’ve always felt a sort of camaraderie with him. Widmark was a truly talented actor who could play incredibly nasty bad guy such as the iconic Tommy Udo in Kiss of Death (1947) or a heroic doctor in Panic in the Streets (1950) with an equal measure of skill. He might not be “typically” attractive by Hollywood standards, but in his younger years he was a great looking man with a wicked grin and he was just lot of fun to watch. In recent years actors and directors such as Jane Fonda, Robert De Niro and Peter Bogdonavich had been trying to get him awarded with an Honorary Oscar since he had never received one, but sadly that won’t happen now and it’s a shame.
Besides Kiss of Death and Panic in the Streets, some of my favorite Widmark performances can be found in a lot of the early noir films he made and stylish crime thrillers such as The Street with No Name (1948), Night and the City (1950), No Way Out (1950), Don’t Bother to Knock (1952) and Pickup on South Street (1953), which all come with my highest recommendation, but he was also terrific in the influential sixties era police drama Madigan (1968) and he appeared in some entertaining horror films and thrillers in the seventies such as Murder on the Orient Express (1974), To the Devil a Daughter (1976), Rollercoaster (1977), The Swarm (1978) and Coma (1978). He often made sub par films more watchable just with his presence. These days’ actors with Widmark’s kind of charisma and versatility are few and far between in my opinion and he’ll be missed.

I’ve only had the opportunity to see a few of the films nominated for Academy Awards this year and besides David Cronenberg’s Eastern Promises, I haven’t been all that impressed with what I’ve seen. Since I don’t write about modern film that often I wasn’t going to mention the Oscars this year, but I will be watching the award show tonight and I hope to catch a glimpse of two of my favorite modern actors; Viggo Mortensen and Tadanobu Asano.
I’ve been following Viggo Mortensen’s acting career closely since I first saw him in the entertaining horror film Prison back in 1988. Viggo really stood out and it was clear to me back then that he had the good looks and acting abilities to become a major star so I’m not sure why it took so long for everyone else to notice him. Besides acting Mortensen is an accomplished poet and artist, and he’s also recorded multiple albums. He’s a truly talented individual and an American original who’s not afraid to speak his mind and stand up for what he believes in.
After enjoying Mortensen in somewhat lackluster films like Leatherface: Texas Chainsaw Massacre III (1990) and Young Guns II (1990), he went on make some of his best films in the early 1990s such as The Reflecting Skin (1990), The Indian Runner (1991) and The Passion of Darkly Noon (1995). By the late 1990s, I had sort of lost track of him and stopped paying attention to the films he appeared in until his name was suddenly everywhere following the success of the Lord of the Rings movies. I naively assumed he would continue making blockbuster action films in Hollywood after that so I was completely caught off guard by his incredible performance in David Cronenberg’s A History of Violence (2005) and I’m really happy that the director and actor seem to have forged an interesting creative bond that I hope will continue to evolve over time. I’d like to see Viggo Mortensen take home the Oscar for Best Actor tonight, but the odds are not in his favor.

Top: Viggo Mortensen in Eastern Promises
Bottom: Tadanobu Asano in Mongol
Much like Viggo Mortensen, Tadanobu Asano is a true “Renaissance Man” and besides being one of Japan’s most accomplished modern actors, he’s also a talented artist and musician.
I first discovered Asano’s talent back in 1998 (exactly 10 years after I came across Viggo Mortensen in Prison) when he starred in the excellent Japanese crime thriller and dark satire Shark Skin Man and Peach Hip Girl (Samehada otoko to momojiri onna) followed by his impressive role in the samurai drama Taboo (Gohatto, 1999). I lost track of Asano for a few years until I caught him starring in Takashi Miike’s Ichi the Killer (Koroshiya 1, 2001), but he was hard to recognize at first. His hair was bleached bright blond and it took me awhile to figure out that he was the same handsome actor that I had been impressed with in earlier films. From that moment on I was determined to know more about Asano and I’ve made an effort to see many of his early films as well as his newest efforts whenever I can. Some of his best movies in recent years include Bright Future (Akarui mirai, 2003), Last Life in the Universe (Ruang rak noi nid mahasan, 2003), Zatoichi (2003), Vital (2004), Survive Style 5+ (2004) and Rampo Noir (2005).
Unfortunately I haven’t had the opportunity to see Tadanobu Asano’s new Oscar nominated film Mongol (Sergei Bodrov; 2007) yet, but it’s up for Best Picture in the much-contested Foreign Film category. I hope Asano will be able to attend the award show tonight on the off chance that the film he starred in might win.
Countless Oscars have been handed out as consolatory prizes for overlooked work and Viggo Mortensen and Tadanobu Asano’s ongoing and impressive acting careers have been overlooked by Hollywood and American film audiences for far too long. The odds might be stacked against them both tonight, but I’ll be rooting for them!
Related Links:
- Offical Website for Eastern Promises
- Official Site for Mongol
- Tadanobu Asano’s Offical Website
- Informative Viggo Mortensen Fan Site
Update (2.25.08)
- Unfortunately my guys didn’t win anything and I thought the Award show was dull as dishwater this year (my favorite moment was when the Coen brothers won best director and Joel’s wife Frances McDormand couldn’t contain her happiness!). Oh well, there’s always next year. In the meantime, here are some pics of the most interesting actors who attended last nights red carpet affair. For my money, Asano was the best looking and best dressed man there. Even Viggo looked terrific with his bushy beard.


Every month Brian who runs the terrific StinkyLulu blog hosts a Supporting Actress Smackdown covering Oscar nominated performances for a particular year, depending on whatever year his blog readers vote for. This month they voted to have him cover the nominees for 1990 and Brian was kind enough to ask me to participate in this month’s Supporting Actress Smackdown.
I don’t normally like chatting about post-1979 cinema here at Cinebeats for numerous reasons, but I thought participating in the Supporting Actress Smackdown would be a lot of fun and I’ve never been opposed to breaking my own rules. In preparation for the Smackdown I tried re-watching all the Oscar nominated films, but at times it was tough going and in all honesty I couldn’t finish a couple of them even though I had seen them all before. There were some real stinkers in the bunch in my not so humble opinion and the ratio of bad hairstyles worn by actresses in 1990 is just damn astonishing and frankly distracting. There were numerous times while I was watching the Oscar nominated films and became so distracted by the terrible haircuts on the actresses that I actually lost track of what was happening in the films.
But enough about really bad haircuts…
Before you make your way over to StinkyLulu and read my comments on the nominated performances I have to warn my gentle readers that I didn’t hold back on expressing my dislike for many of the Oscar nominated performances in 1990. In my mind there was one clear winner in the bunch and she didn’t win. So simply put, read my comments with caution and if you’re easily offended by negative film criticism you might want to cover your eyes and not click this link.

